Also known as: Scarlet Friday (working title), Voodoo Child (Germany)
Release Date: January 14th, 1970
Directed by: Daniel Haller
Written by: Curtis Hanson, Henry Rosenbaum, Ronald Silkosky
Based on: The Dunwich Horror by H.P. Lovecraft
Music by: Les Baxter
Cast: Sandra Dee, Dean Stockwell, Ed Begley, Talia Shire (as Talia Coppola)
Alta Vista Films, American International Pictures, 90 Minutes
“Come back, Old Ones… Princes of Darkness… and repossess the earth.” – Wilbur Whateley
Over Halloween weekend, I wanted to watch some Lovecraftian horror. So I figured, why not watch an actual adaptation of Lovecraft’s work. An adaptation that I both love and haven’t seen in a really long time.
So that thought brought me to The Dunwich Horror, a film put out by American International Pictures, which feels very close to their Edgar Allan Poe adaptations of the ’60s.
While this sadly doesn’t feature Vincent Price, I love Dean Stockwell and he made a great villain in this. Plus, he’s so damn young that it’s just cool seeing him this youthful.
The film also stars Sandra Dee, Ed Begley Sr. in one of his last roles, as well as a very young Talia Shire when she was still going by Talia Coppola.
The film has a tremendous atmosphere that feels like those Poe films but even more evolved and refined. I’m nowhere near as versed in director Daniel Haller’s work, as I am in Roger Corman’s, but he borrowed from Corman’s style while at AIP and gave us something that looked a little more pristine and as if he really took his time and didn’t rush through the production as quickly as Corman typically did.
The sets and the town in this look lived-in and genuine and even the stuff made on sets just fit well within the total presentation and came across as authentic locations.
I loved the lighting and how it almost has a giallo type feel in the more fantastical moments.
While this is far from perfect, it’s pretty well acted for a low budget horror movie and it tells an enthralling story that at least feels consistent with the tone of Lovecraft’s literary work.
Pairs well with: the Edgar Allan Poe adaptations by Roger Corman for American International Pictures.