Release Date: February 15th, 1950 (Boston premiere)
Directed by: Clyde Geronimi, Hamilton Luske, Wilfred Jackson
Written by: Ken Anderson, Perce Pearce, Homer Brightman, Winston Hibler, Bill Peet, Erdman Penner, Harry Reeves, Joe Rinaldi, Ted Sears, Maurice Rapf (uncredited)
Based on: Cinderella by Charles Perrault
Music by: Oliver Wallace, Paul J. Smith
Cast: Ilene Woods, Eleanor Audley, Verna Felton, Rhoda Williams, James MacDonald, Luis van Rooten, Don Barclay, Mike Douglas, William Phipps, Lucille Bliss
RKO Radio Pictures, Walt Disney Productions, 74 Minutes
“[to the clocktower chiming] Oh, that clock! Old killjoy. I hear you. “Come on, get up,” you say, “Time to start another day.” Even he orders me around. Well, there’s one thing. They can’t order me to stop dreaming.” – Cinderella
Cinderella was the first full-length, non-anthology Disney feature film in nearly a decade. It also kicked off what many have considered to be the greatest era in Disney history.
Getting back to feature-length storytelling, Disney was able to tell a better, more fleshed out, cohesive tale. Additionally, the company’s animators and conceptual artists didn’t have to stretch themselves too thin, as all their focus got to go into one story.
While I don’t know if more man hours went into this or the anthology films before it, the animation, here, is a step up from what Disney has done previously.
You really notice it in regards to the facial features and movements of the characters. Emotion is conveyed so well and everyone in the film wears their thoughts on their face, even if they don’t say anything. While that might not seem like a big deal in 2020, seventy years later, it’s really noticeable if you go back and watch all of these movies in release order, as I have been doing.
Now the plot is kind of a paint-by-numbers fairy tale but being that this was the first real “princess” movie, this is the film that really created the tropes and what has become the patented Disney style with their “princess” features.
The story is pretty basic but it’s also very effective. You feel for Cinderella and her situation and you want to see this pure soul find a much better life for herself. Her optimism and her attitude shine through and this is a story about never giving up hope and trying to be the best person you can be in spite of difficult situations.
A lot of people have come along over the years and talked down Disney movies like this for creating a culture where young girls are just waiting for a prince to come and save them. I’ve always thought that was bullshit and people who think that way just don’t understand films like Cinderella and just project their own world view on it. Besides, they obviously didn’t pick up on the optimism part and would rather play victim and blame a seventy year-old cartoon for their problems. But I digress.
Cinderella isn’t quite a masterpiece and Disney, in my opinion, has made much better films in their classic animated style. However, it is an important and historically significant one in setting the stage for what was to come from one of the greatest studios to ever exist.
Pairs well with: other Disney animated films of the 1950s.