Comic Review: Lone Wolf

Published: March, 2019
Written by: Doug Garrett
Art by: Jeff Lasley, David AJ Berner, Eugen Betivu

Gravestone Press, 22 Pages

Review:

I backed this comic book on Indiegogo a few months ago and it’s creator Doug Garrett seems like a cool guy. So I was really excited to find this in my mail box, last week.

This is the first issue of what is to be a bigger story arc. I’m not sure if this is a miniseries or if Garrett has a lengthier run in mind.

For a first issue, it does its job pretty effectively. We meet the main character, learn and understand his backstory and we get to see what sort of world he lives in. I don’t want to give too much of the plot away, as I believe you can still order this and it’s definitely worth the price tag when compared to other crowd funding indie comic campaigns out there.

I really dug the art style and it does wonders setting the tone for the narrative. It has a raw, gritty look to it but it is done with skill and certainly doesn’t look amateur, rushed or below the typical indie standard.

I have to be pretty discriminatory, as new crowd funded comics pop up on Indiegogo and Kickstarter, daily. But for the price point and for how Garrett interacts with his potential customers, I wanted to support this. I have no buyer’s remorse and if anything, I look forward to what Garrett releases next.

Really, there isn’t much I can pick apart about this comic and usually with crowd funded stuff, there’s a lot that I can critique. All I can say, which isn’t really even negative, is that this looks really good for a first effort, much better than a lot of first effort indie books, and Garrett and his creative team are only going to improve from here.

Rating: 7.25/10
Pairs well with: other recent crowd funded releases.

Film Review: Solomon Kane (2009)

Release Date: September 16th, 2009 (TIFF)
Directed by: Michael J. Bassett
Written by: Michael J. Bassett
Based on: characters by Robert E. Howard
Music by: Klaus Badelt
Cast: James Purefoy, Max von Sydow, Rachel Hurd-Wood, Pete Postlethwaite, Mackenzie Crook, Alice Krige

Davis Films, Czech Anglo Productions , Wandering Star Pictures, Metropolitan Filmexport, Optimum Releasing, 104 Minutes

Review:

“If I kill you, I am bound for hell. It is a price I shall gladly pay.” – Solomon Kane

At times, this felt like two different films. I liked a lot of the stuff in this movie but it had issues with pacing and tonal shifts.

Still, this had some real badass moments and I loved the character design between Solomon Kane and the two big villains, Malachi and the Masked Rider.

The opening ten minutes or so of this film were great and got me excited for what was to come. However, after the intense and fantastic opening, things slowed to a crawl for quite awhile. The energy didn’t really pick back up until the Masked Rider appeared and started doing some evil shit. Man, he just looked sinister and cool as hell, almost like a powerful Sith thrown into a Robert E. Howard story.

Malachi also added a lot to the picture and was a nice antagonist for Solomon Kane, a hero that walks the line with one foot in Hell and the other on the side of God.

The ghouls were also pretty cool and provided a lot of intense moments, as did the ghosts in the mirrors and the big demon beast in the big finale.

I thought that the cinematography was good and the film is very well shot. It looks great, even in the moments were CGI is very prevalent.

I just wish that the film wasn’t bogged down by some of its inconsistencies.

Every part in the picture was well acted, though and that certainly boosted the overall quality of the film. James Purefoy was perfection as Solomon Kane and even if he’s not a widely known star, I can’t think of a bigger one that would’ve pulled off the character as well as he did. Frankly, I wish this had done better because I would’ve liked to have seen him return to the role for other movies. And maybe it’s not too late but it’s been almost a decade since this came out and I haven’t heard anything about a follow up. It’ll probably be rebooted sometime in the future.

I wasn’t sure what to expect before watching this. On one hand I was pleasantly surprised and on the other, I was bored for half the film. But the positives definitely outweigh the negatives.

Rating: 7/10
Pairs well with: other films featuring Robert E. Howard heroes: all the Conan movies, Kull the ConquerorRed Sonja and other sword and sorcery films.

Comic Review: The Eternals by Jack Kirby, Vol. 1

Published: 1976-1978
Written by: Jack Kirby
Art by: Jack Kirby

Marvel Comics, 199 Pages

Review:

I have never read The Eternals. However, with it getting a movie adaptation in a few years and because I Iove when Jack Kirby does cosmic stories, I thought that delving into this was long overdue.

This was a hell of a lot of fun. I loved this first volume in the series, which serves to setup the Eternals pocket of the larger Marvel universe. Like all cosmic things by Kirby, this series has an incredibly rich mythos that just showcases how great Kirby’s imagination was.

The Eternals reads like a comic book that is truly written with love. Reading through every single panel, I could tell that Kirby was committed to this project and loving every second that he spent creating this vivid and dynamic world.

The art is so detailed and ornate. I have no idea how the man was able to put books like this out monthly, while also working on multiple projects. Everything looks pristine and perfect and this is one of the most “Kirby” creations of all-time.

In a lot of ways, this is like Marvel’s version of the Fourth World stuff that Kirby did at DC Comics just a few years earlier. However, Kirby seems to have taken what he learned from his experience on his DC books and refined that knowledge, giving The Eternals an edge over most of that stuff. Sure, there’s no Darkseid or Mister Miracle here but the overall experience of reading this just feels more fleshed out and written with greater purpose.

This reminds me a lot of what Jack Kirby did with his ten issue 2001: A Space Odyssey series. It has a lot of similarities to that but this seems less experimental and like it is building towards a real defined purpose. Maybe that’s because 2001 was essentially an anthology but I feel like this is where everything for Kirby just clicked in the right way.

I really dig this universe, I was especially blown away by the Celestials. Frankly, I can’t wait to read the second volume.

Rating: 9.5/10
Pairs well with: the second volume of this series, as well as any of Jack Kirby’s cosmic stuff at Marvel or DC.

Comic Review: Suicide Squad: Black Files

Published: November 7th, 2018 – April 3rd, 2019
Written by: Mike W. Barr, Jai Nitz
Art by: Phil Briones, various

DC Comics, 260 Pages

Review:

I didn’t really know what this miniseries was going to be about when it came out, I just knew that it was full of a lot of characters, many of whom were new to the Suicide Squad.

What this is, is a miniseries where each double-sized issue is broken into two halves, telling two six issue story arcs. Although, they are somewhat joined as this serves to closeout the Suicide Squad team that’s been around for a few years while introducing the readers to a new team, who seem to be in line for an upcoming series of their own.

While this series was going on, the regular, monthly Suicide Squad comic came to an end with it’s 50th issue.

The two stories here were pretty decent but nothing exceptional. Between the two plot threads, I preferred the one centered around the newer team. So I guess that’s good, considering that they seem to be taking over as the primary Suicide Squad soon.

But I don’t know if this miniseries was enough to entice me to buy the new team’s books. I may give it a whirl and see how I feel about it after a few months but I was getting burnt out on the regular Suicide Squad title before it even got to it’s 50th issue finale.

If anything, the new team feels kind of like the Suicide Squad equivalent to the Justice League Dark. I’m kind of getting bored with Justice League Dark too, even though it started with a mighty bang.

Ultimately, it just feels as if a lot of the DC titles seem aimless, as of late. I don’t know where any of them are going and I’m not sure that there’s much of a cohesive plan by editorial.

Rating: 6.5/10
Pairs well with: the regular Suicide Squad series before it and I’m assuming an upcoming Suicide Squad Black series to follow up with the events here.

Film Review: City Limits (1984)

Release Date: October, 1984 (Chicago International Film Festival)
Directed by: Aaron Lipstadt
Written by: Don Opper
Music by: Mitchell Froom
Cast: Darrell Larson, John Stockwell, Kim Cattrall, Rae Dawn Chong, John Diehl, Don Opper, Pamela Ludwig, Tony Plana, Dean Devlin, James Earl Jones, Kane Hodder

Film Ventures International (FVI), Island Alive, Sho Films, Atlantic Releasing, 86 Minutes

Review:

“If you kill me, someone just like me – or worse – will become my replacement. I am inevitable!” – Carver

How the hell did James Earl Jones fall so low that they got him to agree to be in this movie just a year after Return of the Jedi? Sure, he bounced back but I can’t imagine many actors bouncing back after this film. Maybe he just had the benefit of no one seeing this.

This also had Kim Cattrall and Rae Dawn Chong but this was before either of them got more famous going into the late ’80s. It also features John Diehl, a guy I loved on Miami Vice until they ruined the show by killing him off, and a small role for Kane Hodder, who would become the longest running Jason Voorhees actor just a few years later.

City Limits was written by Don Keith Opper, who also has a small role in the film. He didn’t write a very good script here but he would follow this up with the Critters film series, which has had some longevity over the years since the first one came out and it even spawned a new television series just this year.

This is a post-apocalyptic film, one of probably hundreds in an era where these things were being made faster than McDonald’s can print Monopoly game pieces. It’s a genre and formula I like but this is like most of those films, unfortunately, a boring, bland dud that borrows so heavily from other places that it doesn’t have an identity of its own.

City Limits was featured on Mystery Science Theater and for good reason. It’s also probably one of the MST3K films that featured a pretty well known cast. It’s a film rife with material for riffing though.

As bad and vanilla as this is, it’s certainly not the worse that the post-apocalyptic genre has to offer. It’s pure ’80s, low budget, sci-fi schlock but it’s a bit endearing because of that. However, City Limits will probably only be enjoyed by people that are into that sort of thing.

Rating: 3.5/10
Pairs well with: other early to mid ’80s post-apocalyptic schlock.

TV Review: The Comic Book Greats: Episode 12 – Spotlight on Whilce Portacio (1992)

Released: 1992
Created by: Stan Lee
Directed by: Rick Stawinski
Music by: Rick Stawinski, Rob Stawinski
Cast: Stan Lee (host), Whilce Portacio

Excelsior Productions, Stabur Home Video, 52 Minutes

Review:

Well, this is it, the final episode of The Comic Book Greats. There was one more video released after this one but that was a “best of” compendium of all the episodes. I’d also like to review that one but it’s not up streaming anywhere that I can find. If it does become available, at some point, I’ll check it out and let you know how it is.

This series really did go out on a bang, though. I didn’t know what to expect from this episode as I never saw it and I also haven’t seen much with Whilce Portacio in other interviews. But I have always liked his work, especially the stuff he did on X-MenX-Factor and his own creation for Image Comics, Wetworks.

Portacio is very engaging and had a good rapport with Stan Lee. Lee seemed genuinely fascinated by Whilce and his backstory, especially regarding Filipino culture.

Whilce also does a good job at the drawing table, discussing his technique during his creation process. Like the other Image guys that had videos before this one, I think Whilce would make a good teacher.

It’s kind of sad that this is the last episode of the series, I feel like there were a lot of other greats that the series could have showcased but this final episode was pretty darn good and a solid end to the series.

Rating: 8.25/10
Pairs well with: other episodes in The Comic Book Greats video series.

Comic Review: Star Trek/Green Lantern: The Spectrum War

Published: April 20th, 2016
Written by: Mike Johnson
Art by: Angel Hernandez, Stephen Molnar
Based on: Star Trek by Gene Roddenberry, characters from DC Comics

IDW Publishing, DC Comics, 156 Pages

Review:

I hoped this would be a cool comic book series but I already found it a bit of an eye roller when I saw that they used the Kelvin timeline cast, as opposed to the likeness and style of the original cast and it’s version of Star Trek.

Anyway, I don’t hate the Kelvin movies, as you may know after reading my recent reviews on those films. However, why use Kelvin shit if you don’t have to?

So Ganthet dies and with his death, he rips a hole in spacetime. This conveniently brings several Lantern rings into the Star Trek Kelvin universe. The Enterprise crew finds Ganthet’s corpse and the rings and pretty quickly the rings come to life and choose their bearers. One of which is General Chang of the Klingon Empire, in what would be his first Kelvin timeline appearance. Some may remember him as the great villain from Star Trek VI: The Undiscovered Country.

This story rehashes concepts from the Blackest Night storyline and just brings those concepts into the Kelvin timeline. We have multiple Lantern villains show up like Sinestro, Atrocitus and Larfleeze. We also get new evil ring bearers: a Romulan and a Gorn. But the biggest twist with the Blackest Night concept is when Black Lantern leader Nekron resurrects all the dead citizens of Vulcan, including Spock’s mother. While it was trying to make a big emotional impact on the reader, it felt cheap and pretty cheesy.

I had sincerely hoped that seeing two of my favorite franchises come together would be a fun story. This just felt like it was a lowest common denominator attempt at cashing in on yet another crossover.

Rating: 5.5/10
Pairs well with: its sequel, as well as Planet of the Apes/Green Lantern and Star Trek/Planet of the Apes.