Film Review: Your Vice Is a Locked Room and Only I Have the Key (1972)

Also known as: Il tuo vizio è una stanza chiusa e solo io ne ho la chiave (original Italian title), Irene, Excite Me, Eye of the Black Cat, Gently Before She Dies (alternative titles)
Release Date: August 18th, 1972
Directed by: Sergio Martino
Written by: Ernesto Gastaldi, Adriano Bolzoni, Sauro Scavolini, Luciano Martino
Based on: The Black Cat by Edgar Allan Poe
Music by: Bruno Nicolai
Cast: Edwige Fenech, Anita Strindberg, Luigi Pistilli, Ivan Rassimov, Franco Nebbia, Riccardo Salvino

Lea Film, Titanus, 97 Minutes

Review:

Sergio Martino did this film a year before his most famous one, Torso.

While he’s not my favorite giallo director, he has done some really memorable work that probably deserves its place alongside the giallo masters like Mario Bava and Dario Argento.

Many giallo aficionados seem to like this one too and while I do enjoy the first act of the movie, it drags on and falls kind of flat for me. Although, I do like the ending, as it homages Edgar Allan Poe quite nicely and in the most Italian way possible.

I enjoyed the three main actors in this and seeing Luigi Pistilli was kind of cool in that his character is truly the antithesis of what I think is his most famous role as the priest brother of Tuco in The Good, The Bad and The Ugly.

The other two leads are Edwige Fenech and Anita Strindberg, who both put in believable performances even when the story calls for some over the top antics.

My main issue with this film is the pacing. It’s only 97 minutes but those 97 minutes felt like two hours. There are some minor side characters and side plots that simply existed to give the killer more kills. That’s not necessarily a bad thing in a slasher-esque giallo but most of this just felt like soulless filler in a movie that could’ve been more fine-tuned in dealing with the core actors and their dynamic.

I do like the look of the movie, even if it isn’t as opulent and vivid as the work of the better giallo filmmakers.

Ultimately, this was okay but it’s not Martino’s best work and with that, it’s not anywhere near the upper echelon of ’70s giallo.

Rating: 5.75/10