Release Date: February 29th, 1940 (Chicago premiere)
Directed by: Joe May
Written by: Lester Cole
Based on: The House of Seven Gables by Nathaniel Hawthorne
Music by: Frank Skinner
Cast: George Sanders, Vincent Price, Margaret Lindsay, Dick Foran, Nan Grey, Cecil Kellaway, Alan Napier
Universal Pictures, 89 Minutes
I’ve always wanted to see this movie but it’s just evaded me over the years. It was streaming on something I have, though, so I figured it was as good of a time as any to finally check it out.
Man, Vincent Price is super young in this. The only other film that I have seen where he’s actually younger is The Invisible Man Returns, which is from January of the same year. He’s also invisible throughout that picture.
This story isn’t a horror film despite Price’s penchant for those roles. Although, some in this wealthy family believe that there is a family curse and thus, make some pretty heinous and drastic decisions based off of that fear.
The family, falling on some fairly hard times, is contemplating selling their mansion. This pits the two brothers against each other. The villainous one of the two, believes that there is a fortune hidden in the house and that with it, he can survive, living life at the pampered level he’s accustomed to. With that, he frames his nice brother, played by Vincent Price, for the murder of their father. In prison, years later, Price’s Clifford meets Matthew, who is part of the family that “cursed” Clifford’s. The two actually become friends and devise a plan to clear Clifford’s name and to expose what his dastardly brother did to him and the family, since his imprisonment.
Surprisingly, a lot happens in this movie that it is just shy of 90 minutes. It’s well paced, doesn’t waste a moment and you really like the virtuous, honest characters in this. You want to see the villain get what’s coming. Plus, the performances are solid and even for still being in his twenties, Price showed great promise, here.
I ended up liking this more than I thought I would. I didn’t expect it to be bad but it was a short, dramatic film with a young Price lacking the mileage he had by the time he became a horror icon with 1953’s House of Wax.