Written by: J. Michael Straczynski
Art by: Olivier Coipel
Marvel Comics, 440 Pages (total)
When this was current, I had the series added to my pull box at my local comic shop. I loved the hell out of this series and thought that J. Michael Straczynski’s reboot of the Asgardian part of the larger Marvel universe truly reinvigorated the Thor title and all the characters within.
I was a bit worried in revisiting this, as I felt like maybe I wouldn’t enjoy it nearly as much and with nearly a decade and a half of extra comic book reading mileage. I thought that I’d discover it was riddled with glaring flaws and an overabundance of bad tropes, overused clichés and redundancy.
I’m happy to say that this held up exceptionally well and that it is one of the best comic book reads I’ve experienced in quite some time.
The story is exceptional and it does such a superb job in balancing all of these cool, important characters. Every major Asgardian gets their time to shine and is given their own subplots that have real meaning and tie into the larger story arc of the series. Straczynski even creates some new characters and they all bring a lot to the series and the new lives of all the other core characters.
Additionally, this is where Loki returns in the form of a woman. It gives the character a fresh start in the eyes of many Asgardians, even if she can’t be trusted due to her past. However, she wins over some key characters just enough to develop an evil masterplan alongside Doctor Doom, who is waiting in the shadows for his big reveal, after Loki manipulates her people into accepting a dangerous proposal that effects all their futures.
Beyond the great story, the art of Olivier Coipel is incredible and I don’t mean to use that word lightly. It was this series (alongside Geoff Johns Green Lantern run) and especially its art that got me to pick up comics again, after checking out for a decade.
Coipel creates beautiful compositions in every panel and his work was just on a completely different level than most of the artists at the time. His work looks like paintings and it fits the aesthetic of the Thor mythos and style. It gave these stories a more fantastical and magical look than what was common for the era.
My only gripe about this long run by Straczynski and Coipel is that it didn’t have a definitive ending. It left things open for the next creative team and I get that, as that’s how these things typically go. However, the work of these two guys was so great that I felt like they should’ve been allowed to bring it to a close.
Really, though, I just wish their run was longer.