Also known as: I corpi presentano tracce di violenza carnale (original Italian title), The Bodies Show Traces of Carnal Violence (literal English title)
Release Date: January 4th, 1973 (Italy)
Directed by: Sergio Martino
Written by: Sergio Martino, Ernesto Gastaldi
Music by: Guido & Maurizio De Angelis
Cast: Suzy Kendall, Tina Aumont, Luc Merenda, John Richardson, Roberto Bisacco, Ernesto Colli, Luciano Bartoli, Luciano De Ambrosis
Compagnia Cinematografica Champion, 92 Minutes
“Death is the keeper of secrets.” – Franz
Torso is a pretty well-respected giallo picture not directed by Dario Argento or a Bava. I even knew about it as a kid when I had no idea what a giallo picture was. I remember the VHS box art sitting on the shelf in the horror section of just about every video store I visited on the regular.
I ended up watching it in my teens but it’s been that long since I’ve seen it, so I figured I’d revisit it. Plus, I have a much richer understanding of what giallo is now.
Overall, this one is kind of mediocre. Although, I do like the look of the killer a lot and I can see where this specific picture was probably instrumental in inspiring a lot of the American and Canadian slasher films that would follow a decade later.
If you’ve seen a lot of giallo already, this one isn’t going to shock or surprise you. However, it’s filled with enough gorgeous women to make the movie more than palatable. And that’s a quality I loved about Italian horror, especially the ’70s stuff.
The killer stalks these beautiful girls, as they mainly hang around this mansion atop the cliff that overlooks the town below. This sets up a really cool finale where the final girl, ankle broken, is trapped in the house trying to signal to the citizens far below. It’s an effective scene in the movie and it help builds up the tension and intensity of the story’s final moments.
All in all, Torso wasn’t a classic in the same vein as Argento and the elder Bava’s work. Although, some fans of this style of film do hold it in much higher regard than I do. That doesn’t mean their wrong, I just feel like this is pretty standard giallo fare.