Also known as: Never Take Sweets from a Stranger (UK)
Release Date: March 4th, 1960 (London premiere)
Directed by: Cyril Frankel
Written by: John Hunter
Based on: The Pony Trap (play) by Roger Garis
Music by: Elisabeth Lutyens
Cast: Patrick Allen, Gwen Watford, Felix Aylmer, Janina Faye, Michael Gwynn
Hammer Films, 81 Minutes
“This isn’t an ordinary crime like burglary or a holdup.” – Martha
Similar to a lot of the other Hammer films I’ve been watching and reviewing lately, courtesy of a sweet, beefy box set I bought, I wasn’t sure what to expect from this movie.
I was pretty shocked and impressed with this, however. So much so, I’m surprised that I never knew about this picture and that it’s seemingly been lost to time.
The film is about a small town with a pedophile that is the old, senile patriarch of the town’s richest family. With that, no one really wants to do anything about this predator, as they don’t want to draw the ire of the family, who have lots of money and connections and essentially own everyone and everything in the region.
This is pretty heavy, serious subject matter for a movie that was made in 1959 but I thought that the material was well handled and even if the film feels like it’s leaning into exploitation, it classily reels itself in just enough to be respectable.
Additionally, this is well crafted, well shot, well acted and the picture’s climax of the elderly pedo chasing two young girls through the woods had similar, creepy vibes to some of the best moments from the exceptional film, The Night of the Hunter. In fact, this movie kept making me think of that classic, Robert Mitchum starring film.
I have to say that the main girl in the movie acted great and handled so many tough scenes like a seasoned pro. Gwen Watford, who played the girl’s mother was also really exceptional in this.
Also, Hammer regular Michael Gwynn had a role in this as the young victim’s lawyer. He was also solid and convincing and really shined in the courtroom scenes.
This is a dark, tragic film that most people will find upsetting. However, it’s also a great piece of work and one of the best things that Hammer Films has ever made outside of their more famous monster movies.
Pairs well with: other Hammer horror films that are more grounded in reality.