Film Review: Jackie Brown (1997)

Also known as: Rum Punch (working title)
Release Date: December 8th, 1997 (New York City premiere)
Directed by: Quentin Tarantino
Written by: Quentin Tarantino
Based on: Rum Punch by Elmore Leonard
Music by: various
Cast: Pam Grier, Samuel L. Jackson, Robert Forster, Bridget Fonda, Michael Keaton, Robert De Niro, Michael Bowen, Chris Tucker, LisaGay Hamilton, Tommy “Tiny” Lister Jr., Hattie Winston, Sid Haig, Aimee Graham, Gillian Iliana Waters, Quentin Tarantino (voice, uncredited), Denise Crosby (uncredited)

Lawrence Bender Productions, A Band Apart, Miramax, 154 Minutes

Review:

“Here we go. AK-47. The very best there is. When you absolutely, positively got to kill every motherfucker in the room, accept no substitutes.” – Ordell Robbie

Jackie Brown is probably the most underappreciated film of Quentin Tarantino’s career. It followed Pulp Fiction and it has similar vibes but it didn’t seem to connect with audiences in the same way.

I think the main reason that this didn’t win over audiences, as effectively, is because Tarantino adapted a novel, as opposed to just doing his own thing, which has been his modus operandi in every movie that he’s made apart from this one.

Elmore Leonard is a great crime writer that makes cool characters and has seen his work adapted a dozen times over. Plus, his writing style actually fits well with Tarantino’s filmmaking style. However, I think that because this was an adaptation, it was more of a straightforward, fluid story, as opposed to what Tarantino did in Pulp Fiction and Reservoir Dogs, before it.

Those movies followed non-linear paths, which was kind of groundbreaking at the time for regular filmgoers. Jackie Brown was presented in a regular chronological narrative style and maybe it seemed less “cool” to people.

Whatever. I think it’s a pretty solid movie that was superbly cast, superbly directed and had a great flow and pace. Tarantino also does get a bit tricky in showing events in the film from different points of view. So he still does his own thing with how time is managed in the movie, it’s just not as prevalent as it was in his previous flicks.

Most importantly, the story in the film is really good and engages the viewer. A big reason for this is that the core characters, even the plain evil ones, are all charismatic and kind of likable. Mostly, you just find yourself pulling for Jackie, as well as Max, her accomplice and a guy that’s a bit smitten with her.

Also, as prickish as they can be, you kind of like the cop and his FBI agent partner in this. Michael Keaton and Michael Bowen were both damn good. Keaton actually plays this exact same character in 1998’s Out of Sight. That film isn’t actually a sequel to this but it kind of feels like it exists in the same universe because of Keaton revisiting the same role just a year later.

I also enjoy the scenes with any combination of Sam Jackson, Robert De Niro and Bridget Fonda. The three of them played off of each other really well and had pretty nice chemistry. De Niro’s character was pretty chill and his performance was understated but he still brought a certain intensity to his character.

This is a very character driven movie. So I guess it’s great that all of these characters are interesting and that all the actors brought their A-game to this movie.

Jackie Brown is just damn good. I feel like it gets overlooked when people discuss their favorite Tarantino pictures but it’s always been one of my favorites. It fits well with Pulp Fiction and Reservoir Dogs, as well as a film Tarantino wrote but didn’t direct, True Romance. Honestly, I wish he’d make films like these again.

Rating: 9/10
Pairs well with: Quentin Tarantino’s other early crime films.