Release Date: October 2nd, 1999 (Vancouver International Film Festival)
Directed by: Takashi Miike
Written by: Daisuke Tengan
Based on: Audition by Ryu Murakami
Music by: Kōji Endō
Cast: Ryo Ishibashi, Eihi Shiina
Basara Pictures, Creators Company Connection, Omega Project, 115 Minutes (original), 113 Minutes (R-rated)
“Only pain and suffering will make you realize who you are.” – Asami Yamazaki
I was somewhat late to the Takashi Miike party, as this was the first film of his that I had ever seen. He had a lot of pictures under his belt by the time Audition hit the United States but this was still my introduction to the director, who many people love but I simply don’t.
That’s not to say that I don’t appreciate the man’s work rate and his effort, as he’s always working on something. But his movies typically don’t connect with me. And that’s certainly not the gore or a cultural issue, as I love lots of film with gore and if you’ve followed Talking Pulp for awhile, my love for Japanese cinema should be pretty apparent.
That being said, Audition is probably my favorite film of Takashi Miike’s after Ichi the Killer. That doesn’t mean that it’s great but I do think that it’s terrifying as fuck and damn effective.
The story is about a single father who has his friend hold fake acting auditions in an effort to screen women for the real life role of his new girlfriend. He does find what he’s looking for. However, the girl he selects is pretty much psychotic and ends up torturing and disfiguring him after she feels slighted.
The movie moves at a snail’s pace but the high points are damn good and will probably give most men nightmares.
It’s well acted, well shot and well directed. It’s much more grounded than Miike’s more surreal stuff and that’s probably why I connect to it more than most of his work.
In the end, though, many view this as a classic and I just view it as just a fucked up flick that took me two decades to revisit.
For those that think its over the top, it really isn’t when compared to some of Miike’s other pictures.
Pairs well with: other Takashi Miike films.