Also known as: Daimajin gyakushû (original Japanese title), Daimajin Strikes Again, Majin Strikes Again, The Return of Giant Majin, Return of Majin (US alternative titles)
Release Date: December 21st, 1966 (Japan)
Directed by: Kazuo Mori
Written by: Tetsuro Yoshida
Music by: Akira Ifukube
Cast: Hideki Ninomiya, Shinji Hori, Masahide Iizuka, Muneyuki Nagatomo, Junichiro Yamashita, Toru Abe, Takashi Nakamura, Hiroshi Nawa, Tanie Kitabayashi
Toho Co. Ltd., Daiei Studios, 87 Minutes
This is the third and final Daimajin film. These movies were all shot and released in the same year. Sadly, this great concept didn’t continue on like other kaiju and tokusatsu franchises but maybe that’s for the best as every Daimajin film has real quality.
From memory, this was my least favorite. However, seeing them all again after so long, I have to say that this one slightly edges out the other two. I think that the first one had the better story and the second one had the better finale. However, this one seems to be the most balanced, as its story rivals the first film, its action rivals the second while both of those things are really, really good.
This installment in the series is also carried by a group of child actors. This can often times be disastrous or just lack in quality but these kids were great and loveable.
I also really liked the three samurai that were trying to capture the runaway kids. They had good chemistry and they played off of the kids really well.
The story primarily follows these kids on a great journey across a region of feudal Japan. It draws allusions to The Fellowship of the Ring in that way, as they have to reach their objective over a long distance while being pursued by a great, deadly force.
In the end, we get to see the giant stone demon come back to life and crush vile tyrants. This is always the highlight of these films and it is used to great effect, here, even if some of the shots appeared to be reused from the previous films. This was pretty common in Japanese kaiju pictures, though, but at least it isn’t a technique that was as bastardized as it would become in the Gamera movies.
I love the hell out of this series. But what I love even more is that they don’t lose steam and that the series goes out on a bang.
That being said, I’m fine that there are only three of these and the short-lived franchise quit while it was ahead.
Pairs well with: the other two films in the series, as well as other ’60s kaiju flicks.