Release Date: December 11th, 1987
Directed by: Oliver Stone
Written by: Oliver Stone, Stanley Weiser
Music by: Stewart Copeland
Cast: Michael Douglas, Charlie Sheen, Daryl Hannah, Martin Sheen, Hal Holbrook, Terence Stamp, John C. McGinley, James Karen, Sean Young, James Spader, Saul Rubinek, Sylvia Miles
Amercent Films, American Entertainment Partners, Twentieth Century Fox, 126 Minutes
“Man looks in the abyss, there’s nothing staring back at him. At that moment, man finds his character. And that is what keeps him out of the abyss.” – Lou Mannheim
I wrote pretty extensively on this film several years ago for a politics and economics site that I used to run. That article also made it into one of the books I published. That article was called Gordon Gekko, the Hero?
I won’t spend too much time rambling on about the morality, themes and messages within this film, as that lengthy article already does. This is a movie review, so I’ll focus on the things that make it great beyond just the story and my interpretation of its core characters and their real motivations.
To start, this is hands down one of my favorite Oliver Stone movies. It may, in fact, be my favorite but it’s been a really long time since I’ve seen Platoon and JFK.
This is also one of Charlie Sheen’s best performances and he held his own and wasn’t overshadowed by the stupendous cast around him, especially Michael Douglas, one of the greatest actors of his generation.
I did find Daryl Hannah to be kind of weak, though. I don’t necessarily blame her for that, as her character barely got time to develop or to allow you to care for her. I feel as if she was more than a predatory gold-digging shark but that’s pretty much all we got to see from her.
Additionally, I felt like Sean Young was really underutilized and honestly, the women just seemed like they were put on the backburner. Also, this wasn’t really their story but it felt like their efforts were a bit wasted for what they potentially could’ve brought to the film.
Anyway, the story is solid but the pacing can drag a bit, here and there, and I think that’s the main reason why I don’t see this as more of a masterpiece. That’s not to say it’s dull but a lot of scenes felt like padding, as if Stone wanted to hit a two hour mark on the running time.
The film is also full of so many great character actors in smaller roles and it’s sort of like a who’s who of cool ’80s dudes that were in everything. I especially liked James Karen and Hal Holbrook in this. John C. McGinley also stole the show in the scenes he was in.
Being an Oliver Stone picture, one should expect this to be technically sound and beautiful and it is. Wall Street doesn’t disappoint and it features some stellar cinematography and a few iconic shots that have been burned into my memory since I first watched this picture as a kid in the late ’80s.
Also, the music is perfect from the film’s score by Stewart Copeland and the pop music tracks sprinkled throughout. It’s been so long since I’ve last seen this that I forgot how much I loved that motorcycle sequence to Brian Eno’s “Mea Culpa”.
All in all, this is still a fantastic motion picture where just about everything goes right. There are those few minor flaws but they hardly detract from how great this movie is, as a whole.
Pairs well with: it’s sequel, as well as Boiler Room, The Wolf of Wall Street and Rogue Trader.