Release Date: July 26th, 1951 (London premiere)
Directed by: Clyde Geronimi, Wilfred Jackson, Hamilton Luske
Written by: Milt Banta, Del Connell, Bill Cottrell, Joe Grant, Winston Hibler, Dick Huemer, Dick Kelsey, Tom Oreb, Bill Peet, Erdman Penner, Joe Rinaldi, Ted Sears, John Walbridge
Based on: Alice’s Adventures In Wonderland and Through the Looking-Glass by Lewis Carroll
Music by: Oliver Wallace
Cast: Kathryn Beaumont, Ed Wynn, Richard Haydn, Sterling Holloway, Jerry Colonna, Verna Felton, J. Pat O’Malley, Bill Thompson, Joseph Kearns, Dink Trout, James MacDonald
RKO Radio Pictures, Walt Disney Productions, 75 Minutes
“If I had a world of my own, everything would be nonsense. Nothing would be what it is because everything would be what it isn’t. And contrary-wise; what it is it wouldn’t be, and what it wouldn’t be, it would. You see?” – Alice
Growing up, Alice In Wonderland was my favorite animated Disney film after Sleeping Beauty. I’ll get into that other film’s greatness when I review it in the near future.
Getting back to Alice, I always saw it as the most bizarre and fun film in Disney’s massive catalog. Always being an artist, I also loved it’s surrealist approach to storytelling and its unique art style and clever design.
It’s still a solid film and one of the best of its era. I don’t know if I still hold it as high in the Disney oeuvre, as I once did, but it’s still really high up on my list because out of all the Disney animated features, it offers up the best type of escapism. In fact, that’s really what the movie is about, as a young girl escapes into her mind (or does she?) to help pass the time on a fairly mundane day.
I think that escapism is important and it seems lost in the modern world where entertainment is almost always injected with political and social messages to the point where escapism seems impossible, even in the realm of entertainment. Essentially, entertainment has stopped being entertainment but I’m also not here to harp on that, as I’m now doing the same thing that I’m criticizing.
Alice In Wonderland is a beautiful and energetic film that moves at a quick pace and actually does a lot with a short running time.
It’s just amusing from start to finish and full of bonkers characters, crazy situations and it captivates the imagination in a great way. You don’t have to think too hard or really at all. You can just get lost in the absurdity of this vivid and visually pleasing tale. It’s almost impossible to watch this film, even repeatedly, and not end with a smile on your face.
This film, for what it is, is near perfect. It absolutely accomplished what it set out to do and that’s probably why it has stood the test of time and is one of the most beloved Disney animated classics that typically finds itself near the top of most people’s list.
Pairs well with: other Disney animated films of the 1950s.