Also known as: Godzilla vs. Super-Mechagodzilla (alternative English title)
Release Date: December 11th, 1993 (Japan)
Directed by: Takao Okawara
Written by: Wataru Mimura
Music by: Akira Ifukube
Cast: Masahiro Takashima, Ryoko Sano, Megumi Odaka, Yusuke Kawazu, Daijiro Harada, Kenji Sahara
Toho Co. Ltd., 108 Minutes
“The year is 1992 A.D… In order to try to counter the threat posed to the planet’s survival by Godzilla, Japan’s Counter-G Bureau recruited the most brilliant scientific brains in the world to build a fighting machine. The first machine was called Garuda, but its fighting capabilities were limited. A far more powerful machine was required. They salvaged a robot from the future, Mecha-King Ghidorah, in order to study its advanced technology. Its components were used to build a weapon to fight Godzilla. They called it Mechagodzilla.” – Narrator
I never disliked the Heisei era of Godzilla, although it’s never really hit the mark for me like the Showa stuff has. Although, revisiting these movies has been a fun experience and I think that their legacy has grown on me more over the years, as this film and the ones before it, were really exciting and really took this often times hokey franchise and made them edgier and darker without sacrificing the soul of the series.
These movies still feel like Godzilla movies in the best way but they feel a bit more grown up in how they don’t present the title character as a friendly monster looking out for Japan. They tap more into the sentiment of the original 1954 picture and keep him as a threat, even though he isn’t as bad as some of the more dangerous and deadly Heisei era kaiju.
In this tale, we see the Japanese government use the future tech left over from the defeated Mecha-King Ghidorah to create their own super powered, heavily armored defense kaiju: Mechagodzilla. I liked this approach to this era’s creation of the iconic monster and that it was cooler than just having Mechagodzilla being the superweapon of a hostile alien race. I also like that Kenji Sahara, a Toho legend, got to be in the cockpit of the mecha-kaiju.
This chapter in the Heisei universe also gives us its version of Rodan. I really love Rodan in this and not just because he’s one of my favorite monsters but because they make him so much more badass and dangerous. It also adds in an extra element, as this isn’t simply a Godzilla versus Mechahgodzilla film. It has more layers than that and the monsters and their own stories are well-balanced and come together wonderfully.
That being said, I actually got mad at how brutal Rodan’s defeat was. But it was effective in showing how powerful and dangerous that this version of Mechagodzilla is before the final showdown. And from the Mechagodzilla vs. Rodan fight to the Mechagodzilla vs. Godzilla finale, the last half hour or so of this movie was superb and featured some of the best kaiju footage of the entire film series.
We also get the introduction of Godzilla Junior, here, which thankfully, wasn’t a modernization of the Minya character. Instead, this monster was human-sized and had the general look of Godzilla, as opposed to resembling the Pillsbury Doughboy after a bad kitchen fire. Godzilla Junior would go on to be more important to the film series, as it rolled out its final two movies after this one.
All in all, this is a pretty awesome Godzilla flick with everything you’d probably want from one. Great action, decent acting, great effects for its time and it still has that Toho magic.
Pairs well with: other Godzilla films from the Heisei era.