Release Date: January 28th, 2012 (France – Gerardmer Fantasy Film Festival)
Directed by: Josh Trank
Written by: Josh Trank, Max Landis
Cast: Dane DeHaan, Alex Russell, Michael B. Jordan, Michael Kelly, Ashley Hinshaw, Anna Wood
Davis Entertainment, Dune Entertainment, Twentieth Century Fox, 89 Minutes, 89 Minutes (Director’s Cut)
“Please believe me, Steve. Please, it’s just I-I don’t know what I did. I lost control, and I’m so sorry. This thing, it’s just becoming a part of me now and I don’t… I miss you, Steve.” – Andrew Detmer
I kind of wanted to see this back in 2012 when it came out but apparently not enough to actually get off of my ass and go to the theater. That was also a busy year for me, as I was at the height of writing political commentary and free time was a fantasy.
Years have now passed and I kind of lost interest after seeing how awful Josh Trank’s Fantastic Four movie was. However, this was available on Cinemax and I figured I’d finally give it a shot.
This isn’t a bad film but it’s not a particularly good one either. It’s fairly impressive for being made on a very small budget but it also takes advantage of the “found footage” style that was way too popular at the time.
Still, the big finale is superbly executed and pulled off really well. Everything leading up to that, however, is just okay.
The plot follows three teens who find a weird glowing star thing in a cave in the woods. This thing gives them telekinetic powers. Over time, they grow stronger but one of them is a tortured teen that comes from a terrible home life and is also picked on relentlessly by bullies at school. So, you probably know where this is going.
Anyway, angsty teen ends up hurting people and also accidentally kills one of his friends. The finale sees the angsty teen’s cousin try to stop him from hurting more people, as the police come out in full force to take him out.
For the most part, this is enjoyable and certainly worth checking out for those who like this genre. But it’s nothing special, which is probably why it’s fallen down the cultural memory hole.
The acting and direction are okay but nothing really stands out. Ultimately, it’s a bit better than meh but much better films have explored these concepts already.
Pairs well with: Brightburn, Super 8 and Project Almanac.