Also known as: La cripta e l’incubo (original Italian title), Crypt of Horror (UK), Terror In the Crypt (US alternative title)
Release Date: May 27th, 1964 (Italy)
Directed by: Camillo Mastrocinque
Written by: Tonino Valerii, Ernesto Gastaldi
Based on: Carmilla by Joseph Sheridan Le Fanu
Music by: Carlo Savina
Cast: Christopher Lee, Adriana Ambesi, Pier Anna Quaglia, Freidrich Klauss
E.I. Associates Producers, Hispamer Films, Alta Vista, 82 Minutes
“It’s so beautiful here. Perhaps nature has purposely set the stage and is waiting for the actors to enter. But who knows if the play is farce … or tragedy. This is a spot where one could come for pleasure … or for death.” – Lyuba
Being that Christopher Lee is one of my favorite actors of all-time, it’s always cool checking out one of his films for the first time. While I’ve seen all the fairly well-known ones and most of his Hammer work, there are those odd ones that have slipped through the cracks over the years. But the guy has close to 300 acting credits to his name, so there are still several of his movies that I haven’t seen.
This one was a low budget production by Italian and Spanish studios that came out during the height of his career, just before he’d make The Devil-Ship Pirates and The Gorgon for Hammer that same year.
Also, this film is an adaptation of Joseph Sheridan Le Fanu’s Carmilla, which Hammer would also use as source material for their Karnstein trilogy of films, as well as Captain Kronos.
While Lee was no stranger to vampire films, this one provides him with a very different role. It doesn’t push him into another version of a Dracula character and instead, he plays a human count that is concerned that his daughter may be possessed by an evil spirit that brought his lineage trouble in the past.
This film is kind of slow and pretty drab for the most part. However, what it lacks in energy and poor pacing, it makes up for in atmosphere. This is a dark, haunting picture. The surviving prints of this film that have made it online and in spite of being digital, are of pretty mediocre quality. But this actually seems to work for the film, as it appears darker and in a higher contrast than what was probably originally released.
Overall, this picture looks superb, even with the physical elements working against the physical film that they eventually digitized. It’s not an exciting picture, though, but at least Lee gives a solid, convincing performance and the film convincingly manufactures a thick sense of dread and claustrophobia.
Pairs well with: other horror films that Christopher Lee starred in apart from Hammer.