Release Date: March 13th, 2017 (SXSW)
Directed by: Joe Lynch
Written by: Matias Caruso
Music by: Steve Moore
Cast: Steven Yeun, Samara Weaving, Steven Brand, Caroline Chikezie, Kerry Fox, Dallas Roberts
Circle of Confusion, Royal Viking Entertainment, RLJE Films, 86 Minutes
“My mother used to say that no one raindrop ever thought it caused the flood. I now know what she meant by that.” – Melanie Cross
The Last Drive-In had it’s worst week ever when it showed this, paired with Tetsuo: The Iron Man. Both of these are films I hate but I’ll save my criticism of Tetsuo for that review.
As far as Mayhem goes, fuck this turd.
It basically takes the concept of 28 Days Later and sets it in an office building. The story sees people get infected with a virus that causes them to act out their most violent and sexual impulses. Due to this infection, the entire office building is locked down in quarantine for several hours.
We then get treated to terrible people doing terrible things to one another in what is one of the most derivative and low brow edgy boi movies I’ve seen in quite some time.
This is a film that wants you to think that it is pushing the bar but you might only fall for that if you’re thirteen. It doesn’t push the bar and in fact, it pulls its punches. Hell, when the two main characters decide to give into their animalistic urges and fuck, they don’t even rip their clothes off. By the end of this film, they should’ve been running around naked, covered in blood, screaming and killing with reckless abandon. I mean, that is if you want me to buy into the juvenile and done-to-death premise.
It’s like this film was written by a deranged middle schooler after a wet dream nightmare following a night of drinking mass amounts of cough syrup while binge watching Workaholics.
It’s so poorly acted that it actually has me second guessing its star, Steven Yeun. Maybe it is best that he got his brain bludgeoned in by Negan on The Walking Dead. Honestly, I was secretly hoping for Negan to show up and do that again.
I guess Samara Weaving was the best thing about the picture but I’m still not sure if she’s got the potential to be an actress that deserves more than this. This film certainly didn’t do her any favors despite being the only real bright spot.
Pairs well with: The Belko Experiment and bad, edgy horror films that try to pass themselves off as high art.