Also known as: Walter Wanger’s Invasion of the Body Snatchers (complete title), The Came From Another World, The Body Snatchers (working titles), Sleep No More (Germany)
Release Date: February 5th, 1956
Directed by: Don Siegel
Written by: Daniel Mainwaring
Based on: The Body Snatchers by Jack Finney
Music by: Carmen Dragon
Cast: Kevin McCarthy, Dana Wynter, Larry Gates, King Donovan, Carolyn Jones, Sam Peckinpah
Walter Wanger Productions, Allied Artists Pictures, 80 Minutes
“They’re here already! You’re next! You’re next, You’re next…!” – Dr. Miles J. Bennell
The Body Snatchers story has been adapted at least a half dozen times over the years. Most of them have been pretty meh but this one, the original version, is pretty great for what it is and it is one of the best science fiction films of its era.
Honestly, when compared to what was the 1950s sci-fi norm, this film is pretty exceptional and it sort of legitimizes sci-fi film in a time where they were mostly ignored by critics and looked down upon as cheap, pulpy schlock made for kids that were rotting their brains reading comic books.
This isn’t my favorite version of the story but it only falls behind the ’70s remake with Donald Sutherland, which was pretty close to masterpiece levels.
My first experience with this film came when scenes from it were featured in Joe Dante’s Gremlins from 1984. Those scenes sort of enthralled my young mind and I remember asking my dad where they were from and he told me and then showed me this film when it popped up on television one night. It is probably one of the things that really got me into classic horror and sci-fi.
The film, unlike others like it, is actually well acted, well shot and it comes across as a competent, bigger budget movie. It feels as if it was put out by a major studio but it wasn’t. It was made by Walter Wanger Productions and then got distribution by the larger Allied Artists.
The story is creepy as hell and it’s still effective, even if this film couldn’t get as dark and harsh as some of the remakes.
Ultimately, this is a superb looking motion picture that eclipsed its similar competition and helped to move science fiction cinema forward.
Pairs well with: other ’50s alien paranoia and atomic era science fiction.