Also known as: 1,000 Ways to Die (alternative title), Club War (Germany)
Release Date: October, 1988 (Tokyo International Fantastic Film Festival)
Directed by: Michael Herz, Samuel Weil
Written by: Lloyd Kaufman
Music by: Christopher De Marco
Cast: Carolyn Beauchamp, Sean Bowen, Michael Ryder, Patrick Weathers, Jessica Dublin, Ara Romanoff
Troma Entertainment, 87 Minutes, 104 Minutes (Director’s Cut)
“You try chopping Siamese twins apart with a machete and not change.” – Nancy
I love everything Troma stands for, always have. However, I don’t enjoy a lot of their movies because even if they’re intentionally bad, it is often times too much and despite a few funny moments, here and there, their films get buried too deeply in their own schtick.
However, there are some films that they’ve made that are really damn good for what they are. While Troma War isn’t their best offering, it is definitely one of their better ones and I probably rank it in my top five.
This movie is absolutely insane but that should be expected considering this came from the mind of Lloyd Kaufman during his peak. Plus, it was directed by Michael Herz, who has been behind the camera for three of the Troma films I’d rank above this one: The Toxic Avenger, Class of Nuke ‘Em High and Sgt. Kabukiman N.Y.P.D.
The story here is bizarre but basically this picks up after a plane has crashed on an island. The survivors then have to fight a war against the madmen that occupy the island. But this is a Troma film, so things can’t be that simple and cookie cutter.
Troma’s War is a movie that gets more and more bonkers as it plays on. The two craziest bits being the stuff surrounding the Siamese twin character and the stuff surrounding the guy with AIDS. But the over the top, violent and gory action is also insane.
Honestly, it’s a hard movie to describe and it sort of has to be seen to be believed.
Like all things Troma, one should expect terrible acting, questionable direction and the cheapest practical effects imaginable. However, this is just as much imaginative as it is offensive and that makes it much better than the standard Troma schlock.
Pairs well with: Troma’s other ’80s and ’90s movies.