Release Date: October 18th, 1946 (New York City premiere)
Directed by: Robert Siodmak
Written by: Nunnally Johnson, Vladimir Pozner
Music by: Dimitri Tiomkin
Cast: Olivia de Havilland, Lew Ayres, Thomas Mitchell
International Pictures, Nunnally Johnson Productions, 85 Minutes
“Not even nature can duplicate character, not even in twins.” – Dr. Scott Elliott
For a B-movie film-noir, this motion picture is quite impressive. While I love a lot of B-movie noirs, there are many more that are just mediocre or outright shit. But I think that this film’s quality has a lot to do with its director, noir veteran Robert Siodmak, as well as its star, the great Olivia de Havilland, who won an Academy Award the same year for her role in To Each His Own.
Watching this film, I was kind of reminded of Brian De Palma’s Sisters from 1972. Both films deal with a good twin and a killer twin that tries to frame (or destroy) their better half.
The films are very different but I can see where De Palma may haven taken some cues from this picture. But honestly, which young filmmaker wouldn’t between the great split performance by its leading lady, as well as the visionary style of its director, a true auteur and master of the noir genre and visual storytelling.
This is a superbly acted film and not just by de Havilland, who plays two roles, but also by its top two male stars, Lew Ayres and Thomas Mitchell.
Everyone in this film is believable and pretty close to perfect. Siodmak got truly great performances out of the three top stars and they had immense chemistry.
I also love how this was shot and for a film from the mid-’40s, Siodmak did a stupendous job in the composite shots that feature both of the twins on the screen at the same time. These sequences go off without a hitch or any visual or audible hints that may wreck what you see on the screen. There’s no obvious Patty Duke Show trickery.
The film’s story is also really good. It pulls you in and you’re never really sure which sister you’re seeing from scene to scene. While the ending and the darker sister’s plot is kind of obvious, you still don’t fully know how it will conclude and whether or not tragedy will befall the good sister or the decent male characters that just want to help them.
That being said, the picture builds up suspense well. The movie does a great job of not coming off as too formulaic or cliche while telling a good, compelling tale that leaves you unsure till the final scene.
Pairs well with: other classic film-noir pictures that were directed by Robert Siodmak.