Film Review: Jail Bait (1954)

Also known as: Hidden Face (alternative title)
Release Date: May 12th, 1954
Directed by: Ed Wood
Written by: Alex Gordon, Ed Wood
Music by: Hoyt Curtin (as Hoyt Kurtain)
Cast: Timothy Farrell, Dolores Fuller, Clancy Malone, Herbert Rawlinson, Steve Reeves, Lyle Talbot, Theodora Thurman, Bud Osborne, Conrad Brooks (uncredited), Ed Wood (voice, uncredited)

Howco Productions Inc., 71 Minutes

Review:

“Plastic surgery, at times, seems to me to be very, very complicated.” – Dr. Boris Gregor

While this isn’t as painfully dreadful as Glen or Glenda, it is still one of Ed Wood’s worst films.

Being a fan of the guy’s work, as bad as it typically is, as well as an avid film-noir buff, I couldn’t pass up seeing Ed Wood try to tackle the style. Granted, this is pretty much exactly what you would expect. However, it lacks the charm and spirit that is apparent in some of his better known cinematic duds.

The story is actually really similar to the blockbuster ’90s film Face/Off. It sees a criminal switch faces with someone else in an effort to avoid the authorities.

Granted, this came out more than 40 years earlier than Face/Off and the premise wasn’t believable in the ’90s, so the ’50s take on the gimmick is even wonkier.

The film, as should be expected, is terribly acted, terribly shot, poorly written and is littered with a dozen or so other problems.

The only actors of note are Ed Wood’s then girlfriend and frequent collaborator Dolores Fuller, his other friend and collaborator Conrad Brooks, as well as future Hercules Steve Reeves.

The movie is noir at its core but it dabbles into areas where Wood was more comfortable like science fiction, horror and exploitation. This was heavily inspired by the TV cop shows like Dragnet but it hardly even lives up to the worst episodes of ’50s cop dramas.

Still, it’s hard to truly hate on an Ed Wood film, as the guy truly believed in himself and tried his damnedest to become a serious filmmaker.

Rating: 2/10
Pairs well with: other Ed Wood films or low budget crime pictures of the ’50s.

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