Also known as: Swamp Women (original title), Femmes Gangsters (France, Belgium), Cruel Swamp (reissue title)
Release Date: April 1st, 1956 (Coshocton, Ohio)
Directed by: Roger Corman
Written by: David Stern
Music by: Willis Holman
Cast: Beverly Garland, Carole Mathews, Mike Connors, Marie Windsor, Jil Jarmyn, Susan Cummings
Bernard Woolner Productions, 84 Minutes
“[digging for diamonds] Ouch! I busted the only nail I had left!” – Billie
Out of all the Roger Corman films that I’ve seen, this might be my least favorite.
I actually think that it would have benefited more from being in black and white instead of color. Mainly, because ’50s Corman films have a certain look to them, which this film is missing, and because the color in this looks terrible. Maybe it looked better in the ’50s before age did its number on the surviving prints but there isn’t a version of this that I’ve checked out that looks good.
Out of the Corman flicks featured on Mystery Science Theater 3000, I really disliked The Gunslinger but this one is worse. Strangely, they both star Beverly Garland but that shouldn’t be a knock against her, as I typically like her in movies and television shows. Frankly, this is just a bad script with pretty bad acting and extremely bad dialogue.
Despite the poor writing, most of the bad acting falls on the director: Roger Corman.
This came out very early in Corman’s career, however, and I don’t feel as if he really found his footing as the man behind the camera. He was the master of filming movies at a rapid pace and putting out as many films as humanly possible. Swamp Diamonds is a clear example of the fact that he hadn’t quite mastered his tried and true formula yet.
While the acting in Corman movies was never great, excluding his movies with Vincent Price, Jack Nicholson and Peter Fonda, it would get better and work well within the style of his pictures.
I think that the idea for the plot was okay and this has some exploitation vibes to it, which I dig, but the execution was poor and everything seems off.
Pairs well with: other Roger Corman movies of the era, as well as other schlock-y D-movie crime films of the ’50s.