Release Date: December 10th, 1952
Directed by: Alfred E. Green
Written by: Robert Smith, Franz Schulz
Based on: a story by Robert Smith, Franz Spencer
Music by: Albert Glasser
Cast: Gerald Mohr, Peggie Castle, Dan O’Herlihy, Edward G. Robinson Jr.
American Pictures, Mutual Productions of the West, Columbia Pictures, 73 Minutes
“For every atom bomb dropped on our country, we have taken three to the enemy’s heartland and we have huge stocks of atomic weapons in reserve.” – The President
I already reviewed a film called Invasion U.S.A., but that one was a far superior ’80s Chuck Norris film put out by the best action studio of all-time The Cannon Group. I think that one is really a remake in name only of this film but they have the same general premise of the United States being invaded by a foreign power.
Mostly, this is a crappy film. But in its defense, it’s actually not that boring and some of it is interesting.
I like the premise and these sort of stories are always intriguing to me, as the United States, generally, feels like a place that is safe from foreign harm. The idea of the whole country being invaded seems insane and it is but that doesn’t mean it’s not an intriguing concept. It’s just that no one has made a great film about it.
The best parts of this film aren’t the bits that show actual invasion, instead, they are the simple scenes, like the ones in the bar with patrons having conversations about communism and war. While the dialogue isn’t good and the acting and directing leave a lot to be desired, it’s interesting to hear different viewpoints from the time, expressed and discussed.
Invasion U.S.A. sort of exists as a time capsule in how it captures the sentiment of different Americans from the 1950s, post-World War II and just as communism was becoming the enemy of the day.
There were a lot of paranoia films in this decade and this one is no different. Just instead of giant atomic monsters and science run amok, this channels fear around the idea that your safe haven might not be as safe as you perceive it. That’s unsettling however you want to present it.
Pairs well with: the far superior sort of remake, 1985’s Invasion U.S.A., also another film with a similar plot, 1984’s Red Dawn.