Also known as: Obsesión (Argentina, Mexico, Peru, Uruguay)
Release Date: January 24th, 2019 (Greece, Israel, Kuwait, Lebanon, Netherlands, Portugal, Russia)
Directed by: Steven Knight
Written by: Steven Knight
Music by: Benjamin Wallfisch
Cast: Matthew McConaughey, Anne Hathaway, Diane Lane, Jason Clarke, Djimon Hounsou
Blue Budgie Films Limited, Global Road Entertainment, IM Global, Starlings Entertainment, Nebulastar, Shoebox Films, Aviron Pictures, 106 Minutes
“Okay, Dill. Say fate gave you the choice: you can get the lady, or you could catch that tuna that’s in your head. Which one would you choose?” – Constance
What in the Pat Sajak fuck did I just watch?!
Okay, I can’t talk about this movie and its weirdness without spoiling the plot, sorry. So, turn away now if you want to watch this shipwreck of biblical proportions.
You still here? Well, that’s on you.
Anyway, I seriously don’t know what I just watched. I wanted to check this out because the cast seemed decent and this was marketed as a modern noir thriller that takes place in a beautiful tropical setting. It kind of gave me Key Largo, To Have and Have Not and His Kind of Woman vibes.
But then, from the opening scene, I knew something was weird and off about this movie.
It starts with Matthew McConaughey trying to catch an unrealistically large CGI tuna. This whole sequence was bizarrely shot and presented. But as the film goes on and the big twist happens, this all makes sense. But that doesn’t mean that it had to be utterly fucking strange and the type of moldy cheese that makes one cringe just from the thought of the diarrhea it most assuredly will bring.
The next big red flag happened when Anne Hathaway shows up. Her entrance was done in an overly dramatic and goofy way that wrecked whatever solid acting might have been happening. To be clear, I don’t blame any of the actors for the failure of this film, I blame the script, the direction, the editing and the bad stylistic choices made to try and plant seeds for the eventual twist.
To top it off, the dialogue sounded like the screenwriter listened to a book about writing for noir fiction that he downloaded for free on Audible.
The plot is pretty simple, or at least it is until the awful twist.
Hathaway shows up, asks her ex-hubby McConaughey to kill her current hubby, Jason Clarke playing an absolute scumfuck, by taking him out on a fishing charter and then feeding him to the sharks. Cool, sounds like a solid film-noir setup.
Of course, ex-hubby is apprehensive about committing murder for the femme fatale bitch that left him but then she throws in the part about how Scumfuck abuses their son. One awkward sex scene later reveals the Femme Fatale’s scars and McConaughey decides to maybe kill Scumfuck.
So they go out on the boat where Scumfuck lives up to his namesake but nothing really happens.
But then a weird dude that has been oddly following McConaughey around, conveniently just missing him, gives him a special fish finder to catch the giant CGI tuna and he guarantees he will catch the fish with the aid of this MacGuffin device. And this is where shit gets really, really goddamned weird.
DrunkConaughey demands to know what this weasely weirdo knows, as shit seems off. We then discover that DrunkConaughey is a character in a video game created by his son to escape into. As long as he catches the fish as his digital dad, he won’t kill his stepdad Scumfuck in the real world.
Yes, this is the big twist and where the real plot comes in, more than halfway into what I thought was a typical neo-noir thriller.
Everything goes completely off the rails; the movie becomes batshit insane. DrunkConaughey kills Scumfuck by letting giant CGI tuna drag him to the bottom of the ocean and then in the real world, the abused kid gets up from his video game, grabs a butcher knife and goes to stab Scumfuck to death.
The end is then a news report about a super genius kid killing his abusive stepdad while we see DrunkConaughey’s video game world evaporate into CGI shards, presumably killing him too because he wasn’t real in the first place. The real DrunkConaughey died in a war over a decade ago according to the voice-over of the newscaster.
Despite its f’n oddness, I was at least pulled into the story up until the shocking and baffling twist. It wasn’t great noir but it was an interesting setup. The acting was competent, as was the cinematography and overall look of the film despite the CGI weirdness with the fish.
But this is a shipwreck, totally and utterly.
Now I get that the filmmakers wanted to do something different and thought that they had an interesting idea but this felt like an idea for a Black Mirror episode that was left on the cutting room floor while planning out the next season.
The idea didn’t feel like it was fully realized and that this kernel of a cool thought wasn’t developed and refined, it was just rushed into production and actually found funding, is insane.
I kind of feel like they were in such a rush they gave McConaughey half the script, omitting the twist, and told him they didn’t have the kinks worked out. He was intrigued by the setup and then later came to realize that he was trapped in a total dud that his agent couldn’t get him out of.
The filmmakers lied to their audience in how this movie was marketed. Had I paid to see this in the theater, I would’ve been pretty pissed. Now, in their defense, I realize that alluding to anything regarding the twist would’ve wrecked the surprise but let’s be honest here and point out that the surprise wrecked the whole movie.
Sometimes a mindfuck is just a clusterfuck. This usually happens when filmmakers sniff too many of their own farts.
Serenity thought of itself as a smart film. In reality, it’s one of the dumbest new pictures I’ve seen in quite awhile.
Pairs well with: cheap rum, really bad cocaine and Sega Bass Fishing.