Release Date: September 8th, 1942 (Toronto premiere)
Directed by: Stuart Heisler
Written by: Jonathan Latimer
Based on: The Glass Key by Dashiell Hammett
Music by: Victor Young
Cast: Brian Donlevy, Veronica Lake, Alan Ladd, William Bendix
Paramount Pictures, 85 Minutes
“Hey, Rusty, Little Rubber Ball is back. I told you he liked the way we bounced him around.” – Jeff
The Glass Key was film-noir before film-noir was a thing. A lot of people consider 1944 to be the year where noir took over but there were a few films that paved the way and this was one of them. Plus, it was based off of a Dashiell Hammett novel ala The Maltese Falcon.
This also pairs Veronica Lake and Alan Ladd, who worked together in seven movies, four of which were noir pictures.
For the most part, this helped set the stylistic trends of cinema for two decades. It isn’t the best noir, far from it, honestly, but it boasts pretty good cinematography, shot framing and shot motion that would become the norm.
Also, from a plot standpoint, it showcases political corruption, gangsters and a look at American life at the end of World War II. These are all tropes that would be a big part of movies well into the ’50s.
But even with all that, it doesn’t resonate with me as greatly as some of the better noirs do. I can’t deny that this was doing some solid things from a filmmaking perspective before the rest of Hollywood jumped on the bandwagon but I found the film a bit dull.
The acting was good, the film looks nice and the story had some decent curveballs thrown in but it lacked the panache and energy that would come later, as the noir style really took hold.
Pairs well with: the other noir films featuring both Veronica Lake and Alan Ladd.