Also known as: Ernest Hemingway’s To Have and Have Not (complete title)
Release Date: October 11th, 1944 (New York City premiere)
Directed by: Howard Hawks
Written by: Jules Furthman, William Faulkner
Based on: To Have and Have Not by Ernest Hemingway
Music by: William Lava, Franz Waxman
Cast: Humphrey Bogart, Lauren Bacall, Walter Brennan, Dolores Moran, Hoagy Carmichael
Warner Bros., 100 Minutes
“Drinking don’t bother my memory. If it did I wouldn’t drink. I couldn’t. You see, I’d forget how good it was, then where’d I be? Start drinkin’ water, again.” – Eddie
I don’t know what it was about the pairing of Humphrey Bogart and Lauren Bacall but all four of their movies are absolute classics. This one is no different and it’s the last one for me to review.
But maybe their chemistry was just infectious. They ended up married in real life and their passion just comes through every time you see them together, even as just fictional characters.
However, a lot of the greatness of these films can just be because the star was Bogart and at this point in his career, he was on top of the world. His pictures got the best directors, the best scripts and usually a pretty strong budget. His films really encapsulate what Hollywood was in his era.
I really like the story in this one though and it has some strong similarities to the setting and tone of Key Largo.
This takes place on a different island, however. The film is set on Martinique but it has a similar ’40s tropical island ambiance that gives the picture a somewhat magical quality.
The story is about an American boat captain that helps transport a French Resistance leader and his wife. It’s set during World War II, which plays a lot into the plot and the film’s political climate. Also, between all of this, the boat captain tries to romance a lounge singer he meets while on the island.
Overall, the plot was really good but everything is greatly enhanced by the performances of Bogart and Bacall. But a lot of credit should also go to director Howard Hawks, who has made some real cinematic magic in his day, this just being just one of his many great pictures.
To Have and Have Not also boasts some stellar cinematography from Sidney Hickox, whose resume is longer than a cross country drive on a moped.
Everything just looks and feels majestic and wonderful in this picture. While not a pillar of perfection, it should definitely sit pretty high up on anyone’s list of best classic film-noir pictures.
Pairs well with: the other films that team up Bograt and Bacall, most notably Key Largo.