Also known as: Search for a Shadow (script title)
Release Date: February 24th, 1960 (Los Angeles premiere)
Directed by: Edgar G. Ulmer
Written by: Jack Lewis
Music by: Darrell Calker
Cast: Marguerite Chapman, Douglas Kennedy, James Griffith, Ivan Triesault
Miller Consolidated Pictures (MCP), American International Pictures (re-release), 58 Minutes
“I must know the full potential of your invention because my aim is to make an entire army invisible. Do you understand that? An entire army.” – Major Paul Krenner
Edgar G. Ulmer isn’t a famous director but he is a fairly accomplished one in that he made a film-noir classic with Detour and also a pretty solid old school horror film called The Black Cat, which teamed up then horror superstars Bela Lugosi, Boris Karloff and John Carradine. He was also one of the German directors that worked on People On Sunday, as well as helming other noteworthy films: Bluebeard and The Man From Planet X.
Later in his career, he directed this film. And while many can call it a turkey, it does mash up two genres he was known for, crime pictures and sci-fi. Also, it was properly riffed on Mystery Science Theater 3000 and has since become a bit of a cult classic because of that.
The Amazing Transparent Man is an incredibly short motion picture but it didn’t need to be longer and it plays more like an episode of a sci-fi anthology television series.
The plot is about a an invisibility machine that an Army major wants to use to create invisible soldiers in an effort to conquer the world. A prison break is orchestrated to free a notorious safe cracker who is tasked with stealing the nuclear material needed to perfect the machine. There are some noir twists, a femme fatale even and we get to see the invisible machine in all its glory, which actually works quite well considering the special effects of the time, as well as this production’s budgetary constraints.
Still, this is far from Ulmer’s best work and is a pretty hokey and slow paced film with wooden acting and not enough imagination considering the premise and how this could have gone in more interesting directions. Additionally, it looks cheap, it doesn’t have anything close to the great atmosphere of his better films and if I’m being honest, I don’t know if he even cared about this picture or if he just needed a paycheck.
Pairs well with: other low budget sci-fi pictures from the era, especially those that were featured on Mystery Science Theater 3000.