Release Date: November 9th, 1956 (UK)
Directed by: Jacques Tourneur
Written by: Stirling Silliphant
Based on: Nightfall by David Goodis
Music by: George Duning, Morris Stoloff
Cast: Aldo Ray, Brian Keith, Anne Bancroft, Jocelyn Brando
A Copa Production, Columbia Pictures, 79 Minutes
“Anyway, I’m scared. You don’t know what it is to live with your back against the wall, Marie. Inside you change. You really change.” – James Vanning
Jacques Tourneur was always a solid director, so I definitely wanted to check out this film-noir picture of his, as I hadn’t yet seen it. Plus, it was part of the Criterion Channel’s Columbia Noir featured category and I’m trying to work through all of the films on that list that I haven’t yet seen.
I jumped on this one because I like Tourneur and I also wanted to see something with Anne Bancroft that came out much earlier than her most famous role as Mrs. Robinson in 1967’s The Graduate.
Tourneur had a great eye and a real understanding of cinematography, lighting and shot framing. He was a maestro of mise en scène, which is very apparent in his earlier horror films: Cat People, I Walk With a Zombie, The Leopard Man and his most famous noir: the Robert Mitchum starring Out of the Past.
Nightfall is no different and frankly, it’s a fabulous looking picture with a meticulous attention to detail in a visual sense. It looks crisp, pristine and the silvery hues are greatly accented by a mostly subdued but pretty apparent chiaroscuro presentation. The film uses contrast greatly, which is mostly done fairly subtly except for the wilderness scenes where the snowy landscape sort of works as a blank backdrop and pushes the characters to the forefront. The big fight at the end is the greatest example of this, as the two men fight in the snow, ending with the villain getting eaten alive by a snowplow truck. I kind of expected some black blood splatter but that was too graphic for 1956. Tourneur probably would’ve given it to us if this was one of his horror pictures though.
The film also benefits from the good chemistry between its leads: Aldo Ray and Anne Bancroft. Their relationship seemed natural and organic and in the early moment in the film where you feel that she set him up, your heart sinks a little bit.
Aldo Ray, who I haven’t seen in much, made me a fan with his performance here. He is a rugged man but he is able to convey a sort of gentle softness without sacrificing his masculinity. You feel for the guy and want to see him come away from this story unscathed but this is a noir picture and that’s something that rarely happens.
While you may feel a bit of frustration with Bancroft after her first encounter with Ray, she wins you back over rather quickly and even if you are waiting for that standard femme fatale double cross later in the film, she’s very easy to like. But does she turn against our hero? And does he have a happy ending? I’d rather not spoil it.
Nightfall is a much better film than I anticipated it being, even as a Tourneur fan. It’s a solid film-noir even if it doesn’t go as dark as the genre typically does. I’m kind of baffled that it isn’t more widely known and held up as one of the top noir pictures alongside Tourneur’s Out of the Past.
Pairs well with: other Columbia Pictures noir films: Pushover, My Name Is Julia Ross and Drive a Crooked Road.