Also known as: Pánico en el Transiberiano (original Spanish title), The Possessor (US re-issue title), Panic in the Trans-Siberian Train (alternate title)
Release Date: September 30th, 1972 (Sitges – Catalonian International Film Festival)
Directed by: Eugenio Martin
Written by: Arnaud d’Usseau, Julian Zimet
Music by: John Cacavas
Cast: Christopher Lee, Peter Cushing, Telly Savalas, Silvia Tortosa
Granada Films, Benmar Productions, 91 Minutes
“The two of you together. That’s fine. But what if one of you is the monster?” – Inspector Mirov
It’s been at least a decade since I’ve watched Horror Express but I really didn’t like it the few times I saw it, even though it is one of the 22 motion pictures that teamed up real life best friends Christopher Lee and Peter Cushing. It also features another one of my favorite actors, Telly Savalas.
I’m not sure why I wasn’t a fan of it, as I liked it this time around but maybe I’m older, more mature, have a better palate and thought that this thing was a bit of a fine wine with just the right amount of cheese to accompany it.
I think that one of the reason’s I never liked it was due to the fact that all the prints and releases of this film are in pretty poor quality. I hope it gets a proper remaster, at some point. But I was able to not let that bother me this time, as I got caught up in the story, most of which I hadn’t remembered other than this being a mummy on a train movie.
There’s a weird twist though, this mummy is actually an alien and he has this power where he uses his glowing eyes to peer through his victims’ eyes and murder them with some sort of brain crushing ability. However, the alien mummy has to kill people to regain his form and his strength but he also can control them like an undead army.
This movie feels like a mix between Agatha Christie’s Murder On the Orient Express and a classic Hammer horror film. But it looks more like the ’70s visual style of an Amicus production. Strangely, this is neither a Hammer or Amicus film but it was able to lure in the talents of Lee and Cushing.
I liked the setting and how the environment was used so well. A train kind of limits what one can do in a horror movie but it never wrecked the plot here and it actually made you feel just as confined as the characters.
The movie uses miniatures for the exterior train shots but they come off really well. That could be due to the poor quality of the print hiding the imperfections but even the big finale, which sees part of the train go over a cliff was pulled off nicely.
I’m glad that I revisited this. I didn’t expect to actually dig it as much as I did this time but sometimes you can revisit something you weren’t fond of and see something new or worthwhile that you may have missed before.
Pairs well with: Amicus and Hammer Films of the early ’70s, especially those featuring Peter Cushing or Christopher Lee.