Release Date: January 19th, 2014 (Sundance)
Directed by: Ana Lily Amirpour
Written by: Ana Lily Amirpour
Music by: Bei Ru
Cast: Sheila Vand, Arash Marandi, Mozhan Marno, Marshall Manesh, Dominic Rains, Rome Shadanloo
Say Ahh Productions, SpectreVision, Logan Pictures, 101 Minutes
“Don’t leave me. Don’t leave me alone.” – Arash
A Girl Walks Home Alone at Night is a unique film.
First of all, it takes place in Iran but was filmed in the United States with all the actors speaking in Persian. Additionally, it considers itself to be the first Persian vampire western, which is an odd description.
In fact, I don’t know where the western genre comes into play other than one specific scene where the film’s composer is clearly borrowing from the style of Ennio Morricone’s spaghetti western scores.
Anyway, as bizarre as this thing is, it’s a really solid film. While it is full of immense darkness, it is also full of sweetness.
It’s also one of the coolest films of the last decade.
I think a lot of that has to do with some of the deliberate style choices in regards to the genre melding, the cinematography, the use of music and the personalities of the cast. But how many films have a skateboarding vampire?
At points, this is a slow moving picture but everything is presented in a way that lures you in. You don’t mind the slow build because the actors are able to convey a lot of emotion with pretty understated performances. But I also think that a lot of that credit has to go to the director, Ana Lily Amirpour, who employs a great understanding of mise-en-scène that it enhances the actors’ abilities. Amirpour crafted an impressive stylistic framework that brings everything together quite nicely, especially with the movie being carried by performance.
I love the cinematography, which is done in black and white and takes its chiaroscuro cues from classic film-noir and German Expressionism.
A Girl Walks Home Alone at Night is an enchanting film and with that, is beautiful to look at. It delivers a sort of cinematic intimacy that most filmmakers, over the last decade, aren’t able to achieve. It feels like something from another era, even if it has things within the film that date it as modern.
However, like other vampire films, it has that one plot point that always bothers me with the genre. What I’m referring to is how a being that has existed for a few hundred years can fall in love with someone in their early twenties. It’s a plot device in vampire fiction that as all too common. I get the part about being attracted to youth and innocence but I’m now 40 years-old and I can’t go on a date with a 25 year-old and find anything to talk about. I can’t imagine how that date would go if I ever make it to 200. But at the same time, it’s a trope of vampire stories and I’m not going to come down on this picture too hard for it.
Pairs well with: other arthouse vampire movies: Only Lovers Left Alive, Let the Right One In, Shadow of a Vampire, Near Dark and The Hunger.