Release Date: October 10th, 1946
Directed by: Joseph H. Lewis
Written by: Dwight V. Babcock, Martin Berkeley, Aubrey Wisberg
Music by: Hugo Friedhofer
Cast: Steven Geray, Micheline Cheirel, Brother Theodore
Columbia Pictures, 71 Minutes
“I knew it was too good to be true. That much happiness just wasn’t meant for me.” – Henri Cassin
This was a film-noir that I didn’t know much about before going into it. I also wasn’t familiar with the majority of the cast, other than Brother Theodore, who has a pretty minor role.
I came across this on the Criterion Channel, as they have a collection devoted to Columbia Pictures film-noir movies. A cool collection because I haven’t seen a lot of the Columbia noir films, as they weren’t as prominent in the style as RKO or Warner Bros.
The story here takes place in France but it stars actors speaking in English with a bit of a French accent. The narrative itself is pretty shaky and while it does gets you invested into the plot, early on, it all falls apart when the big reveal comes towards the end.
This, like many noir pictures, has a twist. That twist falls flat though, as it doesn’t make a lot of sense and its sort of forced on you and throws some science-y, psychiatric nonsense at you that you just have to accept, as its not really based in any sort of actual fact and is just manufactured out of the writers’ shoddy assumptions.
Additionally, while this is noir and filmed and presented in that style, it’s very pedestrian looking and doesn’t offer much noir allure. It lacks in regards to its cinematography, with basic lighting, shot framing and camera work.
However, this is directed by Joseph H. Lewis who would go on to make one of the greatest film-noirs of all-time: Gun Crazy.
Pairs well with: My Name Is Julia Ross, Drive a Crooked Road and Nightfall.