Release Date: June 24th, 1953 (Portland, Oregon premiere)
Directed by: William Cameron Menzies
Written by: Daniel Ullman
Based on: The Maze by Maurice Sandoz
Music by: Marlin Skiles
Cast: Richard Carlson, Veronica Hurst, Katherine Emery
Allied Artists Pictures, 80 Minutes
“SHOCKING CHILLS..Bloodcurdling suspense! A thousand thrill-maddening horrors!” – tagline
I never knew of this film’s existence until I stumbled across it on YouTube. But I’m glad that I gave this a watch, as I was pleasantly surprised by it.
I was initially drawn to the film because the idea of a horror film that takes place in and around a maze intrigued me. Plus, it takes place in Scotland with a Scottish castle and promises of “The Deadliest Trap in the World!” This film actually had several good marketing taglines but there wasn’t a single trap at all, really.
Now even though I enjoyed this film, it is very slow. But it does build up suspense pretty well so that once you get to the big finale in the maze, you feel a legitimate sense of terror and tension.
The big reveal at the end was pretty damn surprising too. The first time you see the creature scurry across the ground in the shadows, it’s a really bizarre moment and it’s hard to make out what you’re looking at. However, the full reveal is pretty damn shocking even for the hokiness of the monster.
If you want to watch this movie, ignore this spoilery paragraph and skip to the next. The creature is a big frog but it’s really a dude in a suit with a pretty realistic frog head. What’s really bizarre, is that he crawls across the ground. He sort of does this hop thing but barely. And what’s even more bizarre is that the frog dude’s screams sound like an elephant. Still, this was a really cool creature and I was caught off guard by it and also amused by it.
While the slow walk through the dark maze, at the end, was really well done. The lighting needed to be better. To simulate candlelight, the crew used a spotlight to illuminate the two women. However, it just looked like they were walking towards a spotlight and it didn’t seem to work as faux candlelight. Even for 1953, there were better techniques for lighting a scene like this. The only real reason why I’m actually pointing it out though, is that it distracts the viewer during this sequence, which was near perfect other than this glaring flaw.
Regardless of that one lighting issue and the slow pace, this was still thoroughly enjoyable. The last ten or fifteen minutes were solid. But that great climax probably wouldn’t have had as much impact if not for the slow, suspenseful build up.
Pairs well with: The Night Walker, The Psychopath and X the Unknown.