Release Date: March 26th, 1980 (USA Film Festival)
Directed by: Peter Medak
Written by: Russell Hunter, William Gray, Diana Maddox
Music by: Rick Wilkins
Cast: George C. Scott, Trish Van Devere, Melvyn Douglas, John Colicos, Jean Marsh, Helen Burns, Madeleine Sherwood
Associated Film Distribution, 107 Minutes
“That house is not fit to live in. No one’s been able to live in it. It doesn’t want people.” – Minnie Huxley
I saw this movie as a kid and it was one of the few that legitimately creeped me out. Although, I hadn’t seen it since I was a kid, so it was cool to check it out now, courtesy of Joe Bob Briggs’ The Last Drive-In.
George C. Scott is a tremendous actor so seeing him in a very serious attempt at a horror film is very interesting. It adds a level of legitimacy to this film, which came out as slasher flicks were becoming the norm in the horror genre. This, like The Shining from the same year, were two solid classic horror movies that wouldn’t go quietly into the night despite the efforts of Jason Voorhees, Michael Myers and the soon to debut Freddy Krueger.
This is a classic haunted house/ghost story. But it has a lot of mystery thrown in and Scott’s John Russell must solve this mystery and assist the angry spirit if he doesn’t want to be driven mad or be murdered by the ghost. There are a lot of layers to the story and it’s not as predictable as similar ghost stories.
The movie also starts off really dark, as Russell sees his family killed right before him. Depressed and defeated by life, Russell moves into this haunted mansion in an effort to distance himself from the pain and to get back to his musical work in seclusion.
Scott’s stellar performance makes this entire film work in ways that a lesser actor wouldn’t be able to. Scott had to carry the ball and he is in nearly every scene in the movie. But he commits to the bit and really sells the horror with gusto and passion.
The score by Rick Wilkins was enchanting and set the mood. However, the direction of Peter Medak was impressive and the man let Scott be himself while employing impressive camera work and shot framing.
The Changeling is truly a classic in every sense of the word. However, it seems to be forgotten and not appreciated as much as some lesser horror films.
Pairs well with: other “serious” horror films from the late ’60s through the early ’80s: Rosemary’s Baby, The Exorcist, The Omen, The Shining, etc.