Release Date: November 1st, 1946
Directed by: Jean Negulesco
Written by: W.R. Burnett
Based on: Nobody Lives Forver by W.R. Burnett
Music by: Adolph Deutsch
Cast: John Garfield, Geraldine Fitzgerald, Walter Brennan, Faye Emerson
Warner Bros., 100 Minutes
“I don’t wanna get rough with you unless I have to!” – Nick Blake
This film starts out as a very gritty film-noir crime tale. But it actually evolves into something with a real sweetness to it once the two leads, John Garfield and Geraldine Fitzgerald, come into contact with one another and romance blooms. Granted, this is not a romance film, in the traditional sense.
It also has a solid femme fatale, played by the incredibly alluring Faye Emerson.
This picture is well acted from top to bottom and as much as I love Garfield, Fitzgerald and Emerson, there is a real scene stealer in George Coulouris. Man, this guy just takes over each scene where he appears.
The story follows a con man and former World War II soldier that wants to go straight. However, as noirs go, he has to pull off one more job before he can attempt to live a normal life. And also as noirs go, there are twists and turns and this last job isn’t going to be an easy one. Especially when a woman gets caught up in the middle of it all and melts his heart. It also doesn’t help that his ex-girlfriend shows up to throw a wrench in the machine.
The film is written by W.R. Burnett, a man who wrote solid films like Little Caesar, Scarface, High Sierra, The Postman Always Rings Twice, The Asphalt Jungle, The Racket and Thunderbolt and Lightfoot. Burnett always seemed to write things that I thoroughly enjoyed and this picture was no different. It’s well paced, has layers, surprises and doesn’t get bogged down by being too typical for a noir.
The cinematography is superb but it’s really the set design that gives this film its visual life. Everything either looks opulent and pristine or it looks lush and robust. Even the dim and gritty looking finale of the film has a set with character.
Not to spoil anything but its nice that this film doesn’t end in complete tragedy and that the protagonists go on to live the life that they want. Sometimes that’s nice in a noir, as it certainly isn’t the standard. Here, it just works and by film’s end, I was glad that these two endearing characters weren’t fodder for the bullets of the law. Maybe that’s because despite some of his shady actions, Garfield’s character still had a good moral center and never got wrapped up in the femme fatale’s tentacles and instead, chose the good woman.
Pairs well with: High Sierra, Humoresque, Three Strangers and He Ran All the Way.