Release Date: October, 1984 (Chicago International Film Festival)
Directed by: Aaron Lipstadt
Written by: Don Opper
Music by: Mitchell Froom
Cast: Darrell Larson, John Stockwell, Kim Cattrall, Rae Dawn Chong, John Diehl, Don Opper, Pamela Ludwig, Tony Plana, Dean Devlin, James Earl Jones, Kane Hodder
Film Ventures International (FVI), Island Alive, Sho Films, Atlantic Releasing, 86 Minutes
“If you kill me, someone just like me – or worse – will become my replacement. I am inevitable!” – Carver
How the hell did James Earl Jones fall so low that they got him to agree to be in this movie just a year after Return of the Jedi? Sure, he bounced back but I can’t imagine many actors bouncing back after this film. Maybe he just had the benefit of no one seeing this.
This also had Kim Cattrall and Rae Dawn Chong but this was before either of them got more famous going into the late ’80s. It also features John Diehl, a guy I loved on Miami Vice until they ruined the show by killing him off, and a small role for Kane Hodder, who would become the longest running Jason Voorhees actor just a few years later.
City Limits was written by Don Keith Opper, who also has a small role in the film. He didn’t write a very good script here but he would follow this up with the Critters film series, which has had some longevity over the years since the first one came out and it even spawned a new television series just this year.
This is a post-apocalyptic film, one of probably hundreds in an era where these things were being made faster than McDonald’s can print Monopoly game pieces. It’s a genre and formula I like but this is like most of those films, unfortunately, a boring, bland dud that borrows so heavily from other places that it doesn’t have an identity of its own.
City Limits was featured on Mystery Science Theater and for good reason. It’s also probably one of the MST3K films that featured a pretty well known cast. It’s a film rife with material for riffing though.
As bad and vanilla as this is, it’s certainly not the worse that the post-apocalyptic genre has to offer. It’s pure ’80s, low budget, sci-fi schlock but it’s a bit endearing because of that. However, City Limits will probably only be enjoyed by people that are into that sort of thing.
Pairs well with: other early to mid ’80s post-apocalyptic schlock.