Also known as: Star Trek XI, Star Trek Zero, Corporate Headquarters, The Ernest Castelhun Chronicles, Untitled Walter Lace Project, Star Trek: The Future Begins (working titles), Star Trek: The Beginning (South Korea),
Release Date: April 6th, 2009 (Austin premiere)
Directed by: J. J. Abrams
Written by: Robert Orci, Alex Kurtzman
Based on: Star Trek by Gene Roddenberry
Music by: Michael Giacchino
Cast: Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Leonard Nimoy, Bruce Greenwood, Eric Bana, Ben Cross, Winona Ryder, Chris Hemsworth, Clifton Collins Jr., Rachel Nichols, Deep Roy, Tyler Perry, Victor Garber (scene cut), Brad William Henke (scenes cut)
Spyglass Entertainment, Bad Robot Productions, Paramount Pictures, 127 Minutes
“Don’t pander to me, kid. One tiny crack in the hull and our blood boils in thirteen seconds. Solar flare might crop up, cook us in our seats. And wait’ll you’re sitting pretty with a case of Andorian shingles, see if you’re still so relaxed when your eyeballs are bleeding. Space is disease and danger wrapped in darkness and silence.” – Dr. Leonard ‘Bones’ McCoy
I’ve loved the Star Trek franchise as long as I can remember. However, nothing has really resonated with me since the end of Enterprise in 2005. This film was an attempt at rebooting the franchise and altering the timeline so that it wasn’t forced into having to work within the framework of already established canon. I wouldn’t call that the best idea, as Star Trek has such a rich mythos that it doesn’t need to be rebooted, there are unlimited ways to tell stories within a franchise this large. But a reboot is what we got because Hollywood is gonna Hollywood.
That being said, for what this is, Star Trek isn’t a bad motion picture. It’s an unnecessary one but I did want to give it a shot because if this was all the Trek I was going to get, I wanted to try to make the best of it.
This could have been better though. They hired the wrong guy to direct, as he just wanted to make Star Wars movies, which he would later do, and wasn’t a fan of Star Trek and didn’t really understand what it needed to be in contrast to what Star Wars is.
The director, J. J. Abrams, also made some strange stylistic choices in how he made the Enterprise look and how he went absolutely ape shit with the use of lens flares and lighting. The film is almost headache inducing at times.
As far as the story goes, the altering of the timeline really seems moot, as there are things that are different before the moment of that alteration. I’m specifically talking about the time Enterprise was already in space before Kirk showed up, as well as Spock’s previous service on the ship and Captain Pike’s role in everything.
Additionally, the story really seems to be a rehash of Star Wars: Episode IV – A New Hope, which Abrams would also heavily borrow from for his first Star Wars movie, Episode VII – The Force Awakens. But this is the same guy who also borrowed heavily from E.T. the Extra-Terrestrial for his picture Super 8. It all kind of makes me wonder what his next Star Wars film will heavily borrow from.
In the realm of Star Trek movies, this is better than the worst films that came before it but it doesn’t come close to the greatness of Wrath of Khan, The Voyage Home, The Undiscovered Country or First Contact. As its own film, separate from the series, it is a fun, space action movie. I will give it that. It is a good adventure and a better than average popcorn movie but we’ve seen this all before and done much better.
In retrospect, I’m pretty happy with most of the casting. I never liked the idea of anyone else ever playing the original crew but that bad idea is salvaged fairly well with most of the cast choices. I like Pine as Kirk, Quinto as Spock and Urban as Bones. However, I just don’t see how they will ever have the chemistry that Shatner, Nimoy and Kelley had. But since this series was cancelled after the third film, I guess we’ll never see what develops between the three men over the long haul.
But this film also diminishes McCoy’s importance, as the relationship they focus on is just between Kirk and Spock and not the trinity we all came to love on the original television show and the movies of the ’80s. And that’s a shame, really, as I love Karl Urban’s commitment to the McCoy character. He just nails it so well. I think he actually understands the role much more than Abrams, the man behind the camera.
I’m probably coming off as harsh but I’m just calling it like I see it. I did enjoy revisiting this, as it was a quick paced, exciting film. It did have some heart in the moments where Leonard Nimoy, as the older Spock, came into the story. But it did lack the right sort of emotion to make me feel for these characters.
I do like this for the most part but that doesn’t mean that it isn’t just a framework for something that could have been richer and more intimate. A lot of the pieces to this puzzle were good and while some connected, it’s as if the filmmakers gave up about halfway through and just threw all the pieces back into the box.
Pairs well with: The other Kelvin timeline Star Trek films: Star Trek Into Darkness and Star Trek Beyond.