Published: August 10th, 2010 (original – black and white), January 15th, 2019 (New Edition – colored)
Written by: Doug TenNapel
Art by: Doug TenNapel, Katherine Garner (New Edition, colors)
Image Comics, 224 Pages
Recently, I invested in Doug TenNapel’s upcoming graphic novel Bigfoot Bill. I was aware of Doug for a little while, as he is the creator of Earthworm Jim and several other video games and graphic novels. Getting ready for Bigfoot Bill, I wanted to read some of his other work. Creature Tech is the first of a few that I have read from a couple of his graphic novels I picked up.
All I can say really, is that I loved this story. It was cool, imaginative and pretty damn funny. Doug’s got a good sense of humor, which anyone would know from watching his YouTube channel but it really comes through in his writing.
The story is really a sci-fi romantic comedy at its core but TenNapel also taps into things that are important to him: religion, science, the search for truth. While a lot of people don’t like politics or religion in comics, Doug doesn’t do it in a heavy handed way and he doesn’t hold one higher than the other. Speaking as an atheist, I didn’t find this in any way preachy or propaganda-ish.
Ultimately, this is a really fun book that works for all ages. It has charm, character and I absolutely love the art style. I looked through a copy of the original black and white version but I ended up getting the New Edition, which is now colored. It’s a better version of the book, in my opinion. I love the colors and they add a new dimension to the story and liven it up quite a bit. Katherine Garner, Doug’s trusted colorist, did a fine job on this.
While I’ve read Doug’s stuff before, it has been awhile. This really made me happy in the end, I’m glad I picked it up and I’m really happy that I have Doug TenNapel’s Bigfoot Bill to look forward to in the near future.
In 2019, few comics make me smile while I read them. Creature Tech brought me to laughter multiple times.
Pairs well with: other comics by Doug TenNapel, as well as Rob Schrab’s Scud: The Disposable Assassin and Rob Guillory’s Farmhand.