Also known as: Will Eisner’s The Spirit (poster title)
Release Date: December 25th, 2018
Directed by: Frank Miller
Written by: Frank Miller
Based on: The Spirit by Will Eisner
Music by: David Newman
Cast: Gabriel Macht, Eva Mendes, Sarah Paulson, Dan Lauria, Paz Vega, Jaime King, Scarlett Johansson, Samuel L. Jackson
OddLot Entertainment, Lionsgate, 103 Minutes
“I’m gonna kill you all kinds of dead.” – The Spirit
I really wanted to like this. I really did. But alas, it was as bad as everyone has said. That doesn’t mean it’s all bad but even the positives couldn’t save it. I’ll explain.
To start, I really liked the visuals for the most part. It’s very similar in style to Sin City. In fact, it feels like a spinoff of it, even though it has no real connection to it, other than the visual style and the director, Frank Miller, who directed some of the scenes in Sin City. However, in the previous film, Miller also played third fiddle behind all-stars Robert Rodriguez and Quentin Tarantino.
The opening to this movie was really strong. The scenes of The Spirit running from rooftop to rooftop during the credits was fantastic. Initially, I also liked the score. It did, however, sound like it was trying really hard to channel the feel of Danny Elfman’s work on the 1989 Batman score.
That being said, the score did end up being a problem for me, though.
While it started off cloning Elfman, it was inconsistent throughout the picture. It would get jazzy at times, like it was trying to accent the noir look of the picture and then it seemed like it was mimicking Ennio Morricone’s spaghetti western scores, primarily those used in the Sergio Leone films of the ’60s. The score just had multiple personality disorder and none of it seemed wholly originally, it just seemed like homages to other things that don’t necessarily fit well together.
Then there is the plot itself. I do like the origin story of The Spirit and how it ties to the villain, The Octopus. But apart from that, everything else seemed overly stylized, ridiculously hokey and nothing was fluid. The film felt like a bunch of scenes sewn together without any regard for pacing or a consistent tone.
Humor was used a lot in this movie and most of it just doesn’t work. Everyone feels like a caricature and therefore, is lacking any real depth. Without depth, you don’t care about them, can’t relate to them and don’t even find them to be all that interesting. Sure, The Octopus changes his look in nearly every scene and he usually looks cool but when doesn’t Samuel Jackson look cool? Also, when doesn’t Scarlett Johansson look stunning? Here, she always looks great but she delivers her lines like she’s dead. I don’t blame her for that, I blame Miller’s script and his direction.
The only actor I actually liked in this was Dan Lauria. His role here felt tailor made for his personality. But I’ve always loved Lauria since The Wonder Years and I thought it was cool seeing him essentially play the Commissioner Gordon of this movie, even if he felt more like Harvey Bullock.
The Spirit lures you in with its credit sequence and its overall look but after about twenty minutes, you grow tired and bored of it. The humor is bizarre, the tone is confusing, the music is distracting and the actors deliver their lines like they’re in a film that should be lampooned on Mystery Science Theater 3000.
It’s no wonder why there was never a sequel to this, even if the ending leaves things open for one.
Pairs well with: the Sin City and 300 films.