Also known as: They Called Him Hondo
Release Date: November 24th, 1953 (Houston premiere)
Directed by: John Farrow, John Ford (uncredited, final scenes only)
Written by: James Edward Grant
Based on: Hondo by Louis L’Amour
Music by: Hugo W. Friedhofer, Emil Newman
Cast: John Wayne, Geraldine Page, Ward Bond, Michael Pate, James Arness, Leo Gordon
Batjac Productions, Wayne-Fellows Productions, Warner Bros., 84 Minutes
“Everybody gets dead. It was his turn.” – Hondo Lane
I haven’t watched a John Wayne movie in quite a while. Since I was working on a post about Louis L’Amour’s books, I felt like I should go back and revisit the film adaptation of Hondo, as it is my favorite L’Amour book and it stars the Duke himself, John Wayne.
I love that this movie starts out kind of small and confined but then ends with such a big, epic battle.
Now even though most of the film does take place in wide expanses of Old West wilderness, it was still a small picture for the first two-thirds. A lot of the scenes were on the ranch and in the tight quarters of the ranch home. Other scenes, while outdoors, were usually in smaller secluded places like the creek where the boy likes to fish. I don’t know if this was intentional or budgetary but when the film gets to its climax, the expanse of the open desert and the final battle feel even bigger than it normally would.
And man, I love the final battle in this movie between the white people leaving the Apache land and the angry Apache trying to make their escape impossible. The story also serves to setup the oncoming battle that wiped out the Apache warriors soon after this film. But not without Wayne tipping his hat to the Apache and their way of life.
But that’s what I love about this movie and Louis L’Amour stories in general. Even though they are seen through the eyes of mostly white men in the Old West, there is still a respect for other cultures underneath the chaos and conflict. I feel that John Wayne felt the same way and that’s why he works so well as the protagonist in a L’Amour film adaptation. Well, John Wayne was also the king of westerns but I like how he fits within L’Amour’s literary style.
Hondo isn’t as remembered as some of John Wayne’s other westerns but it is one of his best, even if I think it’s way too short and could’ve been fleshed out a bit more.
Pairs well with: Chisum, True Grit and The War Wagon.