Release Date: December 14th, 1971 (West Germany)
Directed by: Guy Hamilton
Written by: Richard Maibaum, Tom Mankiewicz
Based on: the James Bond novels by Ian Fleming
Music by: John Barry
Cast: Sean Connery, Jill St. John, Charles Gray, Lana Wood, Jimmy Dean, Bruce Cabot, Bernard Lee, Lois Maxwell, Desmond Llewelyn, Bruce Glover, Putter Smith, Norman Burton, Sid Haig
Eon Productions, United Artists, 120 Minutes
“If at first you don’t succeed Mr. Kidd…?” – Mr. Wint, “Try, try again, Mr. Wint.” – Mr. Kidd
Sadly, Diamonds Are Forever is closer to the tone and style of the Roger Moore era than the Sean Connery era. Maybe the campiness that would be front and center in the early Roger Moore Bond films wasn’t really because of Moore but were because the films were a product of the 1970s. Connery’s pictures were more serious until this one but all the others came out in the ’60s. And then once Moore got into the ’80s, his films weren’t as cheesy. I blame the ’70s.
Anyway, this is the worst of the Sean Connery James Bond pictures. This is even worse than the unofficial sequel Never Say Never Again. Frankly, this is one of the worst Bond films ever made. But this is James Bond and it is still quite enjoyable and certainly better than the worst films of the Brosnan era.
I love the old school Las Vegas setting in this movie, it just fit the time and the James Bond mythos well. Plus, Bond going to Vegas was probably long overdue, by this point. But I’ve also always had a love for old school Vegas, its setting, its culture and its style.
I also really enjoyed Charles Gray’s take on Ernst Stavro Blofeld. This wasn’t Gray’s first Bond movie but he got to ham it up in a key role and he’s one of those actors that is just great as a villain. This is one of my favorite roles that he’s ever played, alongside the fiendish Mocata from The Devil Rides Out, which also starred Bond alum Christopher Lee (a.k.a. Francisco Scaramanga from The Man with the Golden Gun).
In this picture, we also get Jill St. John, who has the distinction of being the first American Bond Girl, and the Jimmy Dean, country music and breakfast sausage king.
My favorite characters in the film though, are the duo of Bruce Glover and Putter Smith as Mr. Wint and Mr. Kidd. They plot, they scheme and they get the better of Bond… twice! Granted, they should have outright killed him quickly in both those moments but Bond escaped death and came back to bite them in the ass. They also had a relationship that probably points to them being gay, which was pretty uncommon for a 1971 film that was made for the mainstream.
On a side note: scorpions don’t usually sting people and they typically don’t kill humans, let alone instantaneously.
This film did do some clever stuff too. I liked how Blofeld had decoys and the movie really points out that he has been surgically altering his face this whole time and that it wasn’t just a case of not being able to get Blofeld actors to return to the part.
The biggest issue with this film though is the scale. Following up On Her Majesty’s Secret Service wasn’t an easy task but this film feels smaller, more confined and cheaper. Maybe this has to do with the big salary that Connery needed to come back to the franchise. It was a record setting fee for an actor at the time and it’s possible that it effected the actual production and that the movie had to be made more frugally.
Still, I do love this motion picture. The classic era of Bond from the ’60s through the ’80s is hard to top. These movies are just magic. Even when things don’t work, the films all still have something cool to take away from them. Diamonds Are Forever is no different.
Pairs well with: The other Sean Connery James Bond movies, as well as that George Lazenby one. But this is actually is closer in tone to the Roger Moore films of the ’70s.