Also known as: Deep Sleep (English title)
Release Date: October 11th, 2013 (Sitges International Fantastic Film Festival – Spain)
Directed by: Luciano Onetti
Written by: Luciano Onetti
Music by: Luciano Onetti
Cast: Luciano Onetti, Daiana Garcia, Silvia Duhalde
Guante Negro Films, 67 Minutes
I didn’t even know about this film’s existence until I was perusing the depths of Shudder. But when I read that it was an Argentinean film that was a modernized version of classic ’70s giallo, I had to give it a watch. Plus, it was only 67 minutes so if it was painful to get through, at least I wouldn’t have to be committed to it for 90 minutes or more.
Anyway, one guy pretty much made this film. He had a few other actors he needed but he directed it, wrote it, produced it, did the music and starred in it. I guess this is a good way to make sure that the film matches your vision and this guy certainly had a unique vision.
What’s cool about this film is that the visual style of it works and for the most part, the set design was well done even if it was minimalistic. I liked the lighting and the general cinematography. However, a lot of the camerawork left a lot to be desired.
Most of the shots were done in extreme closeup and it made the film surreal but mostly just disorienting. While a sense of disorientation is most assuredly what the director was going for, it becomes pretty unwatchable after just the first few minutes. It’s something that works best if used sparingly but the effect was overwhelming and distracting to what the rest of the film was trying to convey. Really, this just felt like a 67 minute music video for a ’90s industrial band without any awesome industrial music to back it up.
I don’t like to shit on someone’s art unless it is terrible, pretentious, self-serving bullshit. This doesn’t quite feel like that but it does ride the fence of pretentiousness.
If one wants to recreate the effect of a classic giallo, one really needs to employ great set design, a masterful use of color, as well as a more calculated and broader range in regards to their cinematography. While this captures some of the giallo vibe, it misses the mark in most of the key areas.
This feels more like an experimental project from a young film student than an actual film. That’s not a bad thing but the work needs to be fine tuned and expand outward, painting a world beyond tight closeup shots and pretty standard driving scenes. But there is talent here.
The director’s films after this have higher ratings on IMDb, so maybe he was able to build off of this. I may check them out in the future, if I can find them streaming.
Pairs well with: Mario Bava and Dario Argento giallo films but those are better than this.