Also known as: Les lèvres rouges, Erzebeth (original titles), Blood On the Lips, Children of the Night, The Promise of Red Lips, The Red Lips, The Redness of the Lips (alternate titles)
Release Date: May 28th, 1971 (New York City premiere)
Directed by: Harry Kümel
Written by: Harry Kümel, J.J. Amiel, Pierre Drouot
Music by: François de Roubaix
Cast: Delphine Seyrig, Danielle Ouimet, John Karlen, Andrea Rau
Showking Films, Maya Films, Ciné Vog Films, 100 Minutes, 87 Minutes (edited cut)
“Love is stronger than death… even than life” – Countess Bathory
I was surprised to find that this is the first Belgian film that I’ve reviewed. I better start showing Belgium some more love.
Daughters of Darkness was one of the thirteen films featured on the recent horror marathon Joe Bob Briggs did for Shudder. This is streaming on Shudder, by the way, for those of you that have the streaming service.
This is a pretty artsy horror movie but the director was a bit of an uppity self-important tyrant that liked to slap his actresses around and take himself and his “art” way too seriously.
That being said, this isn’t in any way a great or memorable picture except for in one regard: cinematography.
This film is beautifully and magnificently shot. It would have made a spectacular music video had the scenes been used for that but as a motion picture, this falls pretty flat in every other way.
This was made in a time when lesbian vampire movies were all the rage. Okay, maybe not “all the rage” but they were at the height of their popularity, especially in Europe.
The story follows a young newlywed couple that stays in a creepy hotel on a Belgian beach. They are then preyed on by a gorgeous vampire woman and her vampire lesbian lover. The guy starts acting out of character, beats up his new bride and eventually everyone is banging everyone and then everyone dies. It’s predictable and derivative. It might not have been derivative for 1971 but by 2018, we’ve all seen this story a dozen times or more.
This isn’t so bad that it isn’t watchable. It did keep me engaged and the cinematography, especially the outdoor stuff, was genuinely captivating. But I can’t recommend it unless you’re just really into visuals.
Pairs well with: Malpertuis, The Blood Spattered Bride, Vampyres, Vampyros Lesbos and Vampire Lovers.