Also known as: The Pentacle (working title)
Release Date: June 15th, 1945 (New York City premiere)
Directed by: Curtis Bernhardt
Written by: Arthur T. Horman, Dwight Taylor
Based on: The Pentacle by Robert Siodmak, Alfred Neumann
Music by: Frederick Hollander
Cast: Humphrey Bogart, Alexis Smith, Sydney Greenstreet
Warner Bros., 86 Minutes
“It’s funny how virtuous a man can be when he’s helpless.” – Kathryn Mason
Humphrey Bogart is a bad guy. No, seriously. He is pure evil in this film and that alone is worth the price of admission. This rugged, usually lovely, manly man that wooed all the ladies and some of the guys is a complete and total bastard in this. And that is why I had to see this film.
Now the reasoning behind this is pretty interesting. Despite the success of The Maltese Falcon and Casablanca, the head of Warner Bros. refused to see Bogart as a sexy leading man. The women wanted him, the men wanted to be him but his boss just wasn’t buying into it. Luckily, this didn’t stop Bogart from being Bogart going forward.
This film was also very close to home for the actor, as he and his wife at the time were known around town as the “Battling Bogarts” for their very public spats. A lot of this film’s narrative lines up with things in Bogart’s personal life, except Bogart obviously didn’t murder his wife like his character in this film. But it was said that Bogie had a really hard time making this film and was miserable having to act out a role that was too close for his personal comfort at the time.
This film was originally supposed to come out in 1943, just before film-noir exploded and it could have been a trend setter for that style. However, a lawsuit delayed this film’s release until 1945, which was also better for Bogart, as by that time he had already gotten a divorce and was happily remarried.
All things considered, Bogart’s scenes in this were superb and he didn’t show signs of his inner turmoil on screen. He was able to play this evil bastard yet still had scenes where he had to convincingly seem like a good guy.
While this film isn’t a horror movie, it had moments that felt like it was. The scenes that took place on the mountain road were chilling to the bone. When Bogart appears in the shadows and walks towards his wife, who is in her car, he does so in such a predatory way that is reminiscent of some of the greatest horror icons of all-time: Lugosi, Karloff, Rathbone, Price, Cushing and Lee.
Conflict is a marvelous film that may be a step below great but it is certainly effective and does a great job telling its story and churning up the right kind of emotions from scene to scene.
Pairs well with: The Two Mrs. Carrolls, Dead Reckoning, The Big Shot and Dark Passage.