Release Date: March 3rd, 1949 (Los Angeles premiere)
Directed by: Richard Fleischer
Written by: Carl Foreman
Music by: Paul Sawtell
Cast: Bill Williams, Barbara Hale, Richard Quine
RKO Radio Pictures, 63 Minutes
I’ve heard a lot of praise in noir circles about The Clay Pigeon. However, I found it to be pretty dry and run of the mill.
The story is about an ex-POW that wakes up from a coma to discover that he’s been accused of murder. Confused and uncertain about this discovery, he escapes from the Navy hospital to search for his best friend, who was also a POW that was with him.
For me, a lot of the script seemed like it was a bit nonsensical and that certain things were too convenient and that the writing was a bit lazy. However, this was a 63 minute B-movie simply used to beef up a double bill. For RKO Pictures, it was probably an afterthought and not as lot of care was given to it.
Also, the acting is very bland and there just isn’t much excitement or energy in the film.
Still, this is Richard Fleischer’s first foray into film-noir. It’s not a bad attempt and it is watchable but it definitely doesn’t measure up to his far superior film-noir, The Narrow Margin.
I don’t know, there just isn’t much I can say about this. It’s not terrible but it just sort of exists. At least it led to better pictures for Fleischer.
Pairs well with: Other Richard Fleischer film-noirs: Armored Car Robbery, His Kind of Woman and The Narrow Margin.