Also known as: The City Is Dark, Don’t Cry, Baby (both working titles)
Release Date: October 22nd, 1953 (Rome)
Directed by: Andre DeToth
Written by: Bernard Gordon, Richard Wormser
Based on: Criminal’s Mark by John Hawkins, Ward Hawkins
Music by: David Buttolph
Cast: Sterling Hayden, Gene Nelson, Phyllis Kirk, Charles Bronson
Warner Bros., 73 Minutes
“People. They accept the love of a dog, and when it gets old and sick they say put it to sleep. ” – Dr. Otto Hessler
I feel like André De Toth doesn’t get as much love as he should. I mean, the guy directed this, House of Wax, Pitfall, the really cool bayou noir Dark Waters and he wrote The Gunfighter. Plus, he had a cool eyepatch like Major Bludd from G.I. Joe.
Crime Wave is a solid picture that feels much more organic and real than the typical film-noir. It was made by a major studio but it had a very gritty and almost semidocumentary directing style unlike most major studio movies of the time. The cinematography was decent, nothing exceptional, but the camera work gave the film its energy and life. It employed a more intimate style in how it captured the characters, using closeups and fluid movements instead of feeling like it is just sitting on a tripod twenty feet away.
The way that De Toth shot Sterling Hayden was especially unique and outside of the box for the time. He was usually put in more confined sets with low ceilings and shot from low angles to enhance his already tall stature. Hayden’s performance also helped to make him seem like a giant among smaller men. He had a brooding presence and almost predatory mannerisms.
The plot is very simple. There is an ex-criminal who has been living a normal crime free life. His old gang comes calling and he refuses to play ball. The gang kidnaps the man and his wife. However, the story doesn’t just feature a criminal gang, it also features crooked cops and has a lot of moving parts that allows the film to throw some solid narrative curveballs.
Crime Wave is a pretty good outing for De Toth and it was neat seeing him reteam with Charles Bronson, who he worked with a year earlier in House of Wax, where he played Vincent Price’s evil henchman. I love seeing Bronson back in the ’50s when he was a young, muscular tough guy and usually played crooked heavies.
Anyway, this is a really good film-noir that takes a simple plot and makes it work.
Pairs well with: Decoy, Murder by Contract, Pitfall, Act of Violence, Criss Cross and Nightfall.