Release Date: September 17th, 1964 (London premiere)
Directed by: Guy Hamilton
Written by: Richard Maibaum, Paul Dehn, Berkely Mather (uncredited)
Based on: the James Bond novels by Ian Fleming
Music by: John Barry
Cast: Sean Connery, Honor Blackman, Gert Fröbe, Shirley Eaton, Harold Sakata, Bernard Lee, Lois Maxwell, Desmond Llewelyn
Eon Productions, United Artists, 110 Minutes
“Man has climbed Mount Everest, gone to the bottom of the ocean. He’s fired rockets at the Moon, split the atom, achieved miracles in every field of human endeavor… except crime!” – Auric Goldfinger
A lot of lifelong James Bond fans that I talk to, consider Goldfinger to be their all-time favorite film in the franchise. While I love it, it isn’t my favorite or even my favorite of the Connery pictures. I rank it behind From Russia With Love, Dr. No and Thunderball but let’s be honest, all the Connery films were solid. Yes, even Diamonds Are Forever.
I think the thing that makes this film stand out, is that it feels different than the other pictures from the Connery era. At least, it feels different to me.
Goldfinger is a bit more confined. Sure, Bond travels the world but a big chunk of this film takes place in the United States, which is far from exotic, at least to a guy from the United States. The nicest place in the film is the Swiss Alps but the movie doesn’t spend a great deal of time there. There is Miami, then the London office of MI-6, then the Switzerland stuff and then back to the United States for Auric Goldfinger’s big raid on Fort Knox.
This isn’t what I would call a smaller film but everything just seems less grand overall. In fact, the Fort Knox heist seems a bit below Bond’s pay grade. While I like Goldfinger tremendously as a villain, this film lacks the extra gravitas you get when SPECTRE is present onscreen. Goldfinger was certainly a decent foil but he is sort of a bumbling man baby that Bond had no problems with outsmarting from the outset of the film. I feel like Bond could have dealt with Goldfinger in the first twenty minutes of the story and been done with it, if he wasn’t just trying to frolic with the fancy ladies. This seemed more like a story where Bond was on vacation, got kind of bored and just stumbled upon a quick and easy caper to occupy his downtime.
I guess Oddjob was a formidable henchman but he could have also been easily dispatched with a gut shot from Bond’s Walther PPK. Sure, he’s a big dude with a razor sharp hat but a nice shot to the tummy would have taken the mute Korean bear down. Bond needs to stash more tiny pistols on his person.
Goldfinger, as much as it probably seems like I am knocking it, just makes me feel like we checked in with James Bond on an off day. The villain had charisma and personality but I feel like the bayou sheriff from the Roger Moore Bond films could have beaten Goldfinger accidentally.
I do like the cinematography and the film’s style and visual tone. I also love the Aston Martin DB5. However, the film seemed generally less gadget-y than a typical Bond picture. Although, the car had some cool features that were completely ripped off for the Spy Hunter video game in the ’80s.
I just don’t agree with the popular opinion on this one. It’s a good Bond movie but it is definitely not in the upper echelon. When watched within the context of all the Connery films, it seems like filler and a forced break away from the larger SPECTRE story arc.
Pairs well with: The other Sean Connery James Bond movies, as well as that George Lazenby one.