Film Review: The New Barbarians (1983)

Also known as: Warriors of the Wasteland (alternate), Metropolis 2000 (West Germany)
Release Date: June 10th, 1983 (West Germany)
Directed by: Enzo G. Castellari
Written by: Tito Capri, Enzo G. Castellari
Music by: Claudio Simonetti
Cast: Fred Williamson, Giancarlo Prete, George Eastman

Deaf International, 91 Minutes

Review:

“The world is dead. It raped itself. But I’ll purify it with blood! No one is innocent! But only we, the Templars, are the ministers of revenge!” – One

Between 1990: The Bronx Warriors and Escape From the Bronx, Enzo G. Castellari made this terrifically badass flick. And like 1990: The Bronx Warriors, this film stars Fred Williamson in a supporting but show stealing role.

This is one of ten dozen Mad Max ripoffs but the post-apocalyptic genre of film was at its height in the ’80s thanks to the surprise success of Mad Max. There were ripoffs galore, some good, some atrocious, but some of them at least brought something new to the table. I can’t call this a good film but I like it a lot because it takes an oversaturated formula and gives it some sweet style.

The Italians could have really taken what they did with spaghetti westerns and started a whole spaghetti apocalypse trend. While they made films like this, as this is one of them, they never quite took off like the spaghetti western trend in the late ’60s and early ’70s.

Enzo G. Castellari really made his mark in spaghetti westerns and dabbled in some horror. The two really prepared him for making post-apocalyptic movies, as they share similar qualities: barren wastelands, gunslingers, violence and terror. And hell, trade out the horses for motorcycles and you’ve got a spaghetti apocalypse movie, as I call these pictures.

The New Barbarians or Warriors of the Wasteland, as it is also called, is an energetic and engaging picture for what it is. It wasn’t intended to be a game changer or exceptional, it was just made to cash in on a genre craze but still had enough of its own originality and style to stand apart from its primary influences.

Castellari was the master of these sort of films and The New Barbarians just solidifies that. It is well executed with awesomely shoddy effects and surreal action. It has weird dialogue, weird characters and weird costumes. It’s like some sort of bizarre European post-apocalyptic themed fashion show from the ’80s. I don’t really know how else to sum it up in a single sentence.

This film, along with Castellari’s Bronx movies sort of form an unofficial trilogy in my mind. They have similar themes, similar style and are cool to experience. This is a better film than the two Bronx movies: slightly beating out the first and completely surpassing the second, which actually isn’t very good.

Rating: 7/10
Pairs well with: 1990: The Bronx Warriors and Escape From the Bronx. It also has a lot of similarities to the more modern film Turbo Kid.

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