Release Date: June 14th, 1985
Directed by: Simon Wincer
Written by: David Ambrose, Allan Scott, Jeffrey Ellis
Music by: Marvin Hamlisch
Cast: Barret Oliver, Mary Beth Hurt, Michael McKean, Danny Corkill, Josef Sommer, David Wohl, Colleen Camp, Steve Ryan, Amy Linker, Kathryn Walker
Paramount Pictures, 99 Minutes
“General, a machine becomes human when you can’t tell the difference anymore.” – Dr. Ellen Lamb
I used to love D.A.R.Y.L. when I was a kid. I think it is mostly because I liked the premise and I liked Barret Oliver after seeing him in The NeverEnding Story.
Watching it now, not through kid eyes, it is still heartwarming and you care for the characters but it is much blander than I remember. I wouldn’t call it boring but it lacks energy and isn’t exploding with ’80s style and charm like similar films.
The plot revolves around Daryl (or D.A.R.Y.L. a.k.a. Data-Analyzing Robot Youth Lifeform) and how he loses his memory, is found in the woods, given to a foster family, makes friends and is then whisked away back to a government lab. All he wants is to be close to his new family and friends but some douchey Army general has other plans. Eventually, Daryl steals an SR-71 spy plane in an effort to fly back to the home and people he yearns for.
Daryl isn’t really a robot per se. He is an organic lifeform like a normal human being, however his brain is a supercomputer. Most of the story deals with the morality of the situation. Is Daryl human? What kind of rights does he have? Is he life? Is he just government property that can be disposed of? Is killing him actually murder? This was all heavy stuff for my six or seven year-old brain back when I first saw this.
Surprisingly for a film about a “robot”, there isn’t much need for special effects. The only major effects shots are when Daryl is piloting the SR-71. The stuff that was shot was done very well and although you can see the flaws in it, due to its era, it has held up well.
Barret Oliver had to carry this whole picture, just as he did with the real world parts of The NeverEnding Story. He does a fine job and was a child actor with much more skill than most of his peers.
It’s a bit sad that this wasn’t as great as I remembered it but that happens a lot when revisiting ’80s pictures that one hasn’t seen for a few decades. I still liked it though and even if the writing is too convenient and simplistic, it has a satisfying ending.
I’m just still waiting for the sequel where the government discovers that he’s still alive and flips on his murder switch.
Pairs well with: WarGames, Real Genius, Flight of the Navigator and The Boy Who Could Fly.