Release Date: June 15th, 1951
Directed by: Harold F. Kress
Written by: Sidney Sheldon, Berne Giler
Music by: Leith Stevens
Cast: Barry Sullivan, Arlene Dahl, George Murphy, Jean Hagen
Metro-Goldwyn-Mayer, 80 Minutes
I caught this film on an episode of TCM’s Noir Alley. While I’m an avid fan of film-noir, this isn’t a film that I knew about until Eddie Muller featured it on his show.
The film follows Steve, a young lawyer for an insurance company. Steve asks his boss for a raise but isn’t able to persuade him. As he’s leaving his boss’ office, he hears that the boss is willing to pay a hefty sum for the return of some stolen property, “no questions asked” on how it’s done, because the large sum is still less than it would cost to pay the claim.
Steve convinces his boss to give him the task but he attracts the attention of gangsters, who think that they can use Steve for similar situations. Being that this is noir, things take a turn for the worse. What we end up getting is a film that examines insurance scams and fraud, told through a noir tale featuring doublecrosses and twists.
Unlike other film-noir pictures, that had a grit to them, No Questions Asked feels like it is more visually refined, which is probably due to it being produced by MGM. However, the more glossy and refined appearance of the film makes it feel less like a noir than it should. Granted, MGM did produce proper looking noir, several in fact.
Barry Sullivan was decent as Steve but it’s hard to care for him, as he pines over Arlene Dahl – a high maintenance gal that doesn’t really care about him, and doesn’t jump all over the chance to be with Jean Hagen, who is smitten with him. Plus, he’s looking to make an easy buck in a dishonest way; not because he needs the money to live but because he wants to wow the woman that rejected him and general greed takes over.
The film is decently acted but not well acted. It seemed as if some people were really into their roles while others dialed it in. Maybe the director was just dialing it in too, as he accepted the unbalanced performances.
This is mostly a forgettable noir. We’ve seen films about insurance fraud before and some that were done much better. Sure, this is a different type of scam than say the one in Double Indemnity but one can’t watch this and not make some comparisons to the narrative of both films. Double Indeminity is also a bonafide classic, though.
No Questions Asked is a decent time killer but if you need to get your noir fix, there are dozens of films superior to this one.
Pairs well with: Loophole, also with Barry Sullivan.