Also known as: Massacre (France), Masacre (Mexico), Kill Julian Drake (working title)
Release Date: August 16th, 1972 (New York City premiere)
Directed by: Jack Starrett
Written by: Mark Hanna, Don Williams
Music by: Luchi de Jesus
Cast: Jim Brown, Stella Stevens, Rip Torn
American International Pictures, 91 Minutes
“You’re really far out, you know that? I mean we go out to that house and let them know we are lookin’ to get killed, and all of a sudden your sittin’ on top of the world like your King Shit! Man, you’re weird Slaughter, I mean goddammit, you’re just weird!” – Harry
Jim Brown is a badass and there is no question that the man could pretty much beat the crap out of anyone else in his presence. However, he never seemed to have the command of the screen in the same way that Fred Williamson, Issac Hayes, Jim Kelly, Rudy Ray Moore and Richard Roundtree had. He was sexy, had a certain panache and could carry his own but it had to be hard to compete with the more charismatic male stars who were also making their mark in the blaxploitation era. Regardless, Brown still has an acting career that has lasted longer than the others.
I think that the reason why is because what you see is what you get. I think Jim Brown just plays Jim Brown. Sure, from film to film he has a different occupation or a different purpose. At the core of all his characters though, is authentic Jim Brown.
I feel like Brown’s vehicles also weren’t as good as the other blaxploitation stars. In all honesty, this is probably his best film of that era and it isn’t very good. It’s also not bad but it’s pretty tame and just lacks the style and energy of the other films in the genre.
I do like that this primarily takes place in Mexico though. It isn’t a rehash of the American urban blaxploitation shtick and gives us something refreshing while keeping a familiar formula. Jim Brown plays an ex-Green Beret that has to avenge the murder of is parents. This takes him to Mexico where he must take on an Italian drug cartel and get to a final showdown with the great Rip Torn, who makes a solid heavy in this.
The finale of the film was pretty good but just about everything else is fairly mundane. One thing that was annoying about this movie is that it often times used these weird fish-eye effect action shots that felt like they were cut into the editing just sort of randomly. These shots looked bad and were a distraction to the flow of the action.
Slaughter just isn’t very exciting or engaging. You want to really like Jim Brown’s character but he just never seems to turn the volume up enough.
Pairs well with: Other Jim Brown ’70s pictures: Slaughter’s Big Rip-Off, Black Gunn, I Escapred From Devil’s Island, Three the Hard Way, etc.